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Web covers | Classical / Choral | Label: Challenge Classics | Playing time: 02:37:31 | Release date: 2010

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The St Matthew Passion, BWV 244, (German: Matthäus-Passion), is a musical composition written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music, indeed, of all Western music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to: The Suffering of our Lord J.C. after the Evangelist Matthew. Many composers wrote musical settings of the Passion in the late 17th century. Like other Baroque oratorio passions, Bach's setting presents the Biblical text of Matthew 26-27 in a relatively simple way, primarily using recitative, while aria and arioso movements set newly written poetic texts which comment on the various events in the Biblical narrative and present the characters' states of mind in a lyrical, monologue-like manner. Two distinctive aspects of Bach's setting spring from his other church endeavors. One is the double-choir format, which stems from his own double-choir motets and those of many other composers with which he routinely started Sunday services. The other is the extensive use of chorales, which appear in standard four-part settings, as interpolations in arias, and as a cantus firmus in large polyphonic movements. This is notable in "O Mensch, bewein dein’ Sünde groß", the conclusion of the first half – a movement which Bach also used as an opening chorus for the second version (1725) of his St John Passion (later – 1730 – he reverted to the originally composed "Herr, unser Herrscher" there). The opening chorus, "Kommt, ihr Töchter, helft mir klagen" is also notable for the use of chorale cantus firmus, in which the soprano in ripieno crowns a colossal buildup of polyphonic and harmonic tension, singing a verse of "O Lamm Gottes, unschuldig." The surviving manuscripts consist of eight concertato scores, used for eight soloists who also served in the two choirs, a few extra "bit parts", and a part for the soprano in ripieno. It is believed that Bach wrote and performed the St. Matthew Passion using one voice per part, or eight voices total, rather than the two conventional choirs which is common for performances and recordings today. The narration of the Gospel texts are sung by the tenor Evangelist in secco recitative accompanied only by continuo. Soloists sing the words of various characters, also in recitative; in addition to Jesus, there are named parts for Judas, Peter, two high priests, Pontius Pilate, Pilate's wife, two witnesses and two ancillae (maids). These are not always sung by all different soloists. The "character" soloists are also often assigned arias and sing with the choirs, a practice not always followed by modern performances. Two duets are sung by a pair of soloists' representing two simultaneous speakers. A number of passages for several speakers, called turba (crowd) parts, are sung by one of the two choirs or both. The words of Jesus, also termed Vox Christi (voice of Christ), usually receive special treatment. Bach created particularly distinctive accompagnato recitatives in this work: they are accompanied not only by continuo but by the entire string section of the first orchestra using long, sustained notes and "highlighting" certain words, thus creating an effect often referred to as Jesus's "halo". Only his final words, written in Aramaic, Eli, eli, lama sabachthani (My God, my God, why have You forsaken me?), are sung without this "halo".

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Personnel:

Soprano I ................................................ Gerlinde Sämann

Soprano II .................................................... Marie Kuijken

Contralto I ............................................... Petra Noskaiová

Contralto II .................................................. Patrizia Hardt

Tenor I, Evangelist .................................... Christoph Genz

Tenor II ................................................ Bernhard Hunziker

Bass I, Jesus..................................... Jan Van der Crabben

Bass II ................................................ Marcus Niedermeyr

Pilate's wife .............................................. Emilie De Voght

Peter, Pilate, priest II .................................. Olivier Berten

Judas, Caiaphas, the priest I ..................... Nicolas Achten

Orchestra: La Petite Bande

Conductor: Sigiswald Kuijken

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J. S. Bach - Matthaus - Passion CD 2

EAC Rip | FLAC (tracks) + cue + log | 238 Mb, 3% Recovery

Web scans | Classical / Choral | Label: Challenge Classics | Playing time: 51:23 | Release date: 2010

Tracklist:

01. Ach nun ist mein Jesus hin [00:03:35]

02. Die aber Jesum gegriffen hatten [00:00:55]

03. Mir hat die Welt truglich gericht [00:00:42]

04. Und wiewohl viel falsche Zeugen [00:01:06]

05. Mein Jesus schweigt [00:00:55]

06. Geduld [00:03:37]

07. Und der Hohepriester antwortete [00:01:57]

08. Wer hat dich so geschlagen [00:00:47]

09. Petrus aber sass draussen im Palast [00:02:08]

10. Erbarme dich [00:06:00]

11. Bin ich gleich von dir gewichen [00:00:58]

12. Des Morgens aber hielten [00:01:45]

13. Gebt mir meinem Jesum wieder [00:02:48]

14. Sie hielten aber einen Rat [00:01:59]

15. Befiehl du deine Wege [00:00:59]

16. Auf das Fest aber [00:02:19]

17. Wie wunderbarlich ist doch diese Strafe [00:00:40]

18. Der Landpfleger sagte [00:00:13]

19. Er hat uns allen wohlgetan [00:01:07]

20. Aus Liebe [00:04:49]

21. Sie schrieen aber noch mehr [00:01:51]

22. Erbarm es Gott [00:01:04]

23. Konnen Tranen meiner Wangen [00:05:57]

24. Da nahmen die Kriegsknechte [00:01:03]

25. O Haupt voll Blut und Wunden [00:01:59]

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Track 15

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Track 17

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Track 18

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Track 19

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Track 20

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Track 21

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Track 22

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Track 23

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Track 24

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Track 25

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No errors occurred

End of status report

All thanks go to original releaser

J. S. Bach - Matthaus - Passion CD 3

EAC Rip | FLAC (tracks) + cue + log | 175 Mb, 3% Recovery

Web scans | Classical / Choral | Label: Challenge Classics | Playing time: 38:01 | Release date: 2010

Tracklist:

01. Und da sie ihn verspottet hatten [00:00:52]

02. Ja freilich will in uns das Fleisch und Blut [00:00:41]

03. Komm, susse Kreuz [00:05:18]

04. Und da sie an die Statte kamen [00:03:10]

05. Ach Golgatha [00:01:28]

06. Sehet, Jesus hat die Hand [00:03:17]

07. Und von der sechsten Stunde an [00:02:00]

08. Wenn ich einmal soll scheiden [00:01:02]

09. Und siehe da, der Vorhang [00:02:20]

10. Am Abend, da es kuhle war [00:01:46]

11. Mache dich, mein Herze, rein [00:06:08]

12. Und Joseph nahm den Leib [00:02:24]

13. Nun ist der Herr zur Ruh gebracht [00:01:49]

14. Wir setzen uns mit Tranen nieder [00:05:40]

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 30. September 2010, 17:46

La Petite Bande / Disc 3

Used drive : ATAPI iHAS322 8 Adapter: 1 ID: 0

Read mode : Secure

Utilize accurate stream : Yes

Defeat audio cache : Yes

Make use of C2 pointers : No

Read offset correction : 6

Overread into Lead-In and Lead-Out : No

Fill up missing offset samples with silence : Yes

Delete leading and trailing silent blocks : No

Null samples used in CRC calculations : Yes

Used interface : Native Win32 interface for Win NT & 2000

Gap handling : Appended to previous track

Used output format : User Defined Encoder

Selected bitrate : 320 kBit/s

Quality : Low

Add ID3 tag : No

Command line compressor : C:\Program Files\FLAC\flac.exe

Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "ALBUMARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 4, Secure Mode, Test & Copy, Accurat

TOC of the extracted CD

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2 | 0:52.61 | 0:41.53 | 3961 | 7088

3 | 1:34.39 | 5:18.40 | 7089 | 30978

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10 | 20:12.12 | 1:46.69 | 90912 | 98930

11 | 21:59.06 | 6:08.23 | 98931 | 126553

12 | 28:07.29 | 2:24.25 | 126554 | 137378

13 | 30:31.54 | 1:49.20 | 137379 | 145573

14 | 32:20.74 | 5:40.58 | 145574 | 171131

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Track 4

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Track 12

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Track 14

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No errors occurred

End of status report

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