Ivo Pogorelich Recital rar (B000001G5V)

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MPEG-2 Video | NTSC | 4:3 | 720x480 | 4403 kb/s | 29,97 fps | Label: Deutsche Grammophon

English | Dolby Digital | 48000 Hz | DTS, 6ch, 1510 kb/s + PCM, 2ch, 1536 kb/s | RAR 4% Rec

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Shot with simplicity and gimmick-free acuity these two recitals were filmed early in Pogorelich’s career. Both took place in palatial surroundings, the pianist casually dressed, alone. And both find him exuding the concentrated stillness that was so much a feature of such performances, despite his reputation for wilfulness and eccentricity. He was twenty-eight at the time, seemingly infallible and playing the repertoire that made his DG recordings of the time so important a feature of that company’s output.

Camera shots are discreet, simple and practical. Many are from Pogorelich’s left, directed at the keyboard, though there are multiple angles employed, including the left of the keyboard and face on. On one occasion in one of the English Suites there’s a cut from left to left hand to demonstrate the rapidity of articulation but that’s the only time this is done. There are no tracking shots and only one zoom; call this old fashioned if you will. I call it sane. Each movement of the Bach Suites is introduced by the expedient of superimposing its indication – Gigue, Courante etc - in Bach’s own hand, taken from the manuscripts, which is as interactive as it gets, mercifully. When we move from the Palazzo Palladiana di Caldogno in Nordera to Schloss Eckartsau near Vienna we find a room that, however beautiful decoratively, is slightly more resonant than the crisper clarity possessed by the Italian room. The former is used for the Bach, the latter for Scarlatti and Beethoven. The camera work allows unimpeded and long opportunities to observe Pogorelich’s mechanism in action; the movement of forearm and wrist, the Horowitz-like curl of fingertips into palms, the gradations of weight; also to observe his pedalling. Each shot is held and there are no distracting transitions or superimpositions, much less segues. All this is valuable.

As for Pogorelich himself, his Bach is warm, unidiosyncratic; he takes repeats, maintains expressive weight but also a sense of direction. The playing is purely pianistic, unmannered, well scaled and commits no solecisms. It’s devoted Bach playing, technically assured and communicative. He doubtless took a leaf out of Horowitz’s book for the Scarlatti selection but his playing lacks the impish outrage of the Russian. Note his effortless trills in the C major. He has selected one of the least well known of the Beethoven sonatas, the B flat major Op.22. Fortunately we can see in semi-long shot details of his pedalling and the increasing physicality with which Pogorelich responds to the music; he even makes a half sideways sway, which is exceptionally unusual for him. Für Elise is the encore.

As for the bonus features there is a small photo gallery of the pianist, a discography, catalogue of DG discs, a trailer for a forthcoming operatic release and links to a website. Pretty basic in other words. I wouldn’t worry about the booklet, which promotes the battle between pianist and instrument as one analogous to T’ai Chi (where do they dredge up these booklet writers?) but concentrate on the music-making and the simplicity and directness with which it’s presented.

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Works on This Recording

1. English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: circa 1715; Weimar, Germany

2. English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: circa 1715; Weimar, Germany

3. Sonata for Harpsichord in D minor, K 1/L 366 by Domenico Scarlatti

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: by 1738

4. Sonata for Harpsichord in E major, K 20/L 375 by Domenico Scarlatti

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: by 1738

5. Sonata for Harpsichord in E minor, K 98/L 325 by Domenico Scarlatti

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: 18th Century

6. Sonata for Harpsichord in C major, K 159/L 104 by Domenico Scarlatti

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: 18th Century

7. Sonata for Harpsichord in G minor, K 450/L 338 by Domenico Scarlatti

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: 18th Century

8. Sonata for Harpsichord in C major, K 487/L 205 by Domenico Scarlatti

Performer: Ivo Pogorelich (Piano)

Period: Baroque

Written: 18th Century

9. Sonata for Piano no 11 in B flat major, Op. 22 by Ludwig van Beethoven

Performer: Ivo Pogorelich (Piano)

Period: Classical

Written: 1800; Vienna, Austria

10. Bagatelle for Piano in A minor, WoO 59 "Für Elise" by Ludwig van Beethoven

Performer: Ivo Pogorelich (Piano)

Period: Classical

Written: 1808; Vienna, Austria

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