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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
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A Short Biographical Dictionary of English Literature
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Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century
Posted on 2010-03-16
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Venice Free eBook download. Publisher: Oxford University Press, USA | 2005 | 424 Pages | ISBN: 0195154169 | PDF | 22.49 MB In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. These early commercial operas were elaborate spectacles, featuring fancy costumes and set design along with dancing and music. These ambitious works of theater required not only significant financial backing, but also strong managers to oversee the production over several months of rehearsals and performances. These opera manager-entrepreneurs were called impresarios, and were responsible for every facet of production from contracting the cast to balancing the books at season's end. This study focuses on Marco Faustini, a Venetian lawyer who was among the most active and successful impresarios of the seventeenth century. Through close examination of Faustini's extraordinary cache of documents--including personal papers, account books, and correspondence with dukes and ambassadors--Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time, an emphasis is placed on the "physical production"--the scenery, costumes, and stage machinery--that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history. Download:
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