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In Excess: Sergei Eisenstein's Mexico (Cinema and Modernity Series)

During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging left for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.

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	Science/Engineering Eisenstein Series and Applications Wee Teck Gan, Stephen S. Kudla, Yuri Tschinkel, "Eisenstein Series and Applications" Birkhäuser Boston \| 2008-01-14 \| ISBN: 0817644962 \| 318 pages \| PDF \| 2,1 MB Eisenstein series are an essential ingredient in the spectral theory of a ...
	Migrating to the Movies: Cinema and Black Urban Modernity Migrating to the Movies: Cinema and Black Urban ModernityUniversity of California Press \| ISBN: 0520233492 \| 2005-03-28 \| PDF \| 367 pages \| 4 Mb The rise of cinema as the predominant American entertainment around the turn of the last centur ...
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	Cultures & Languages Framed Time: Toward a Postfilmic Cinema (Cinema and Modernity Series) G Stewart, «Framed Time: Toward a Postfilmic Cinema»Chicago University Press \| ISBN: 0226774163 \| 2007 \| PDF \| 320 pages \| 2.54 MBItalian director, Michelangelo Antonioni claimed, three decades ago, that different conceptions of time help ...

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