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Cultures & Languages Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S.

Posted on 2010-03-16




Name:Cultures & Languages Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S.
ASIN/ISBN:0230604722
Language:English
File size:2.3 Mb
Publisher: Palgrave Macmillan 2008-03-15
Pages: 256 Pages
ISBN: 0230604722
File Type: PDF
File Size: 2.3 MB
   Cultures & Languages Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S.



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Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S. By Amira Jarmakani

Winner of the 2008 National Women's Studies Association Gloria Anzaldúa prize!

Imagining Arab Womanhood examines orientalist images of Arab womanhood in the United States since the turn of the twentieth century, exploring, in particular, representations of belly dancers, harem girls, and veiled women. Through semiotic analysis, Jarmakani demonstrates that these images have functioned as nostalgic placeholders for pressing, yet unarticulated concerns about shifting spatial and temporal realities within the contexts of expansionism/modernization and imperialism/late capitalism. Calling these representations cultural mythologies, Jarmakani maps them onto dominant American narratives of power and progress, insisting on an analysis that understands them to be artifacts shaped by the interests of the American contexts in which they circulate. Imagining Arab Womanhood is a vital addition to conversations about representation, race, and gender.



Contents


List of Figures vii

Acknowledgments ix

Preface xi

Introduction: Excavating Orientalist Images

of Arab Womanhood 1

1 Traveling Orientalism: U.S. Echoes

of a French Tradition 27

2 Dancing the Hootchy Kootchy: The Rhythms

and Contortions of American Orientalism 63

3 Selling Little Egypt: The Commodification

of Arab Womanhood 103

4 Veiled Intentions: The Cultural Mythology

of Veils, Harems, and Belly Dancers in the Service

of Empire, Security, and Globalization 139

Conclusion 185

Notes 191

Bibliography 213

Index 229

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