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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
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History of the Incas by Pedro Sarmiento de Gamboa
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A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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I Want To Live! (1958)
Posted on 2010-10-19
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More Directed by Robert Wise Genre: Crime / Drama Grim, almost unbearably intense, I Want To Live is the story of the life and execution of Barbara Graham (Susan Hayward) a perjurer, prostitute, liar and drug addict. While Susan Hayward was often inclined to accept melodramatic scripts, nothing in her career tops her Oscar-winning performance as prostitute and con artist Barbara Graham, struggling to avoid execution in California's gas chamber. Graham's real-life struggle was well-known to the audiences of 1958. In lesser hands, a film of this sort could have become exploitative, but Hayward and director Robert Wise know just how far to take the material. The final thirty minutes are paced with an unrelenting intensity. Watch carefully for Hayward's performance in the death chamber scene, as she displays fear, anger, and a desire for whatever dignity there is left to find. All of the film's tech credits are good without being showy -- indeed, had they been more prominent, the film's effect might have been thrown out of balance. This is Hayward's film all the way, and she gives one of the greatest performances of any era.
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