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Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
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Walden by Henry David Thoreau
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How to Play Piano Despite Years of Lessons
Posted on 2010-06-29
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Title: : What Music Is and How to Make It at Home Author: Ward Cannel Publish date: January 1, 1981 Format: PDF Language: English Size: 36,4 MB ISBN-10: 0385142633 Description: After reading this book, I would have to say that there are some very good things about it, but also some not-so-good things. First the good stuff: good basic approach to explaining things like chord construction, progressions, sheet music, and how music is made. There are excellent illustrations, with many examples. There is particular emphasis on the circle of fifths and chromaticism and how it relates to chord progressions. Unfortunately, the book lacks a lot of music theory that would probably be important to the beginner(like me). I would have liked to see more treatment of scales and how to use them to improvise, as well as more information on voicings and altered chords. The book is focused on playing out of fake books, (i.e., play chords with one hand, melody with the other, which is a good approach, if that's what you're interested in.) But this piecemeal "playing songs" approach is pretty restrictive. The author relies a little too much on "skelton" bass-chord playing with the left hand, with block chords in the left. It's probably not the book for someone who wants to learn improvisation, or jazz. The book takes a very comical, almost flippant approach to music theory in general, which is good in some ways, but can also can be counter-productive. The humor certainly makes the learning easier, but the book continually says, "if it sounds good, play it," Which I see as a little skimpy in the "why" department of music. It seems too much like he's saying, "Well, you can do this, but if you don't like how it sounds, don't do it." A better method would be to say why it might not sound good, and what alternatives you can do instead. But this is still a good book, actually an excellent book, if you want to be able to play your favorite songs from fake books, and is probably a good stepping stone to more advanced music theory(which boggles my mind most of the time anyways). Download:
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