Lyrics & Music Hofmann, Haydn, Mozart - Cello Concertos ~ Sol Gabetta, Kammerorchester Basel, Sergio Ciomei (B002CJ1WCC)

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Hofmann, Hadyn, Mozart - Cello Concertos ~ Sol Gabetta, Kammerorchester Basel, Sergio Ciomei

26 janvier 2010 | RCA | RapidShare

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“…lovely performances from a cellist who combines a winningly smooth cantabile with a focused light tone and incisive rhythmic precision. The Basle Chamber Orchestra gives support which is handsomely coloured and stylishly clean-lined… making them a good match for their soloist and helping to create a happy overall impression of talented young artists having fun together and avoiding the routine.” Gramophone Magazine, March 2010

The first half of the 18th century saw a rapid rise in the popularity of concertos for solo instruments and orchestra. Clearly, the instruments that gained the most from this were the piano and the violin. Concertos for the cello were few and far between, and in modern times only a handful are performed with any regularity. The Haydn concerto in C is by far the most recognizable from this period. Its relatively limited technical challenges make it an ideal choice for precocious young players, while its charm and elegance make it suitable for the highest caliber of professionals, as well. Far less known is the concerto in D by Leopold Hofmann; its limited popularity is a mystery. Much more technically demanding (especially in its use of the higher registers of the instrument) than the Haydn concerto, it is reminiscent of the virtuosic treatment of the cello common to Boccherini while Hofmann's treatment of the orchestra is much more complex and robust. Even less common is the Mozart concerto, originally for oboe, transcribed by the composer for flute and later arranged by an array of musicians to finally end up in its present form. Performing these works is cellist Sol Gabetta accompanied by the Kammerorchester Basel under the direction of Sergio Ciomei. Gabetta's discography has taken her from Vivaldi to Shostakovich, now coming back to the mid-18th century. She proves here again that she is an extremely versatile musician, possessing the ability to deftly switch styles without compromising sound or musicality. For this set of Classical concertos, Gabetta plays with an appropriately lean, focused sound that allows for exceptionally clean articulation and simplicity in phrasing. The precision of intonation and left-arm technique especially shines through in the little-heard Hofmann concerto and brings excitement and interest anew to the popular Haydn C major concerto. An all-around pleasing disc, this album is especially suited to listeners unfamiliar with the Hofmann concerto. ~ Mike D. Brownell, All Music Guide

The Argentinean cellist Sol Gabetta devotes her new recording to concertos from the Viennese Classical period. Joined by the Chamber Orchestra of Basel, she has coupled Haydn’s famous C major Concerto with two rarities, one by Haydn's contemporary Leopold Hofmann and the other by Wolfgang Amadeus Mozart. Whereas Hofmann's concerto is an original work, the other concerto is an arrangement of Mozart's Oboe Concerto K314 by the Hungarian-American conductor Georg Szell. As Mozart left us not a single composition for solo cello, Szell collaborated with Mozart researcher Alfred Einstein to create a solo piece. However, Szell took the Andante from the Violin Concerto K470 for the slow movement. Sol Gabetta's recording, on the other hand, includes a version of the Oboe Concerto's Andante specially prepared by the harpsichordist and pianist of the Basel Chamber Orchestra, Sergio Ciomei. Hofmann was a highly regarded composer in his day, considered the equal of Haydn and Gluck. His Cello Concerto in D Major is roughly contemporary with the C major Concerto by Haydn which also appears on this disc.

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1. Cello Concerto In D Major, Badley D3/I. Allegro Moderato

2. Cello Concerto In D Major, Badley D3/IIAdagio Un Poco Andante

3. Cello Concerto In D Major, Badley D3/III. Allegro Molto

4. Cello Concerto No. 1 In C Major, H. 7b/1/I. Moderato

5. Cello Concerto No. 1 In C Major, H. 7b/1/II. Adagio

6. Cello Concerto No. 1 In C Major, H. 7b/1/III. Allegro Molto

7. Flute Concerto No. 2 In D Major, K. 314, Adapted For Cello And Orchestra/I. Allegro Aperto

8. Flute Concerto No. 2 In D Major, K. 314, Adapted For Cello And Orchestra/II. Andante Ma Non Troppo

9. Flute Concerto No. 2 In D Major, K. 314, Adapted For Cello And Orchestra/III. Allegro

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