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Audiobooks & Video Training Jean-Christophe Grange - Le Concile De Pierre
Audiobooks & Video Training Love Is the Cure On Life, Loss, and the End of AIDS by Elton John
Audiobooks & Video Training The Art of Deception by Kevin Mitnick (Repost)
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Audiobooks & Video Training A Study in Scarlet - by Sir Arthur Conan Doyle
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Audiobooks & Video Training The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead
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Audiobooks & Video Training Famous Men of Greece (Yesterday's Classics) by John H. Haaren and A. B. Poland
Audiobooks & Video Training Freefall: America, Free Markets, and the Sinking of the World Economy by Joseph E. Stiglitz
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Audiobooks & Video Training Terence McKenna - True Hallucinations
Audiobooks & Video Training The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead
Audiobooks & Video Training A World Out of Time (State Series, Book 1)
Audiobooks & Video Training Le premier jour de Marc Levy
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Audiobooks & Video Training How to Be Black [Audiobook]
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Audiobooks & Video Training Hiroshi Teshigahara-Suna no onna ('Woman of the Dunes') (1964)
Posted on 2010-08-03
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More Hiroshi Teshigahara-Suna no onna ('Woman of the Dunes') (1964) One of the great Japanese classics of the 60s, Hiroshi Teshigahara's fable Woman of the Dunes (based on the novel by existentialist writer Kobo Abe), remains as mystifying, serene and provoking as when it was first released. Winner of a Special Jury Prize at Cannes in 1964 and nominated for two Academy Awards for Best Foreign Film and Best Director, the film combines an extremely erotic drama with a terrifically gripping thriller. It is also a work of great visual inventiveness and beauty featuring startling high-contrast black and white photography from Hiroshi Segawa and a minimalist score by Toru Takemitsu, whose music was celebrated at the Barbican earlier in July as part of the City of London Festival. The story opens with Jumpei Nika (Eiji Tokada), a teacher who has been collecting insect specimens, who misses the last bus home. He is offered shelter by locals in a house at the bottom of a sandpit, the home of a young widow (Kyoko Kishida). The next morning he awakes to find that the rope-ladder, the only means of exit, has been removed, but he believes that it will reappear soon enough. He agrees to help the woman in her nightly labour of shovelling away the sand that threatens to bury them, and it slowly comes to him that not only is he a prisoner, but that he must shovel sand in order to survive. Although he becomes increasingly frantic, the oppressive confinement of their situation and the force of physical attraction inevitably leads them to become lovers. But like their environment, their relationship is unsustainable, as Jumpei becomes increasingly obsessed with freedom. Out of this highly bizarre, if simple, situation, Teshigahara builds an atmospheric, highly charged and remarkably sensual exploration of the human condition. The visual impact and surreal imagery of the film is remarkable - the abstract patterns, the unconventional notions of scale and the detail of patterns and texture. The performances of the two leading players - who had to work under hot, sticky conditions, surrounded by the ever-present walls of sand - are equally striking. Kyoko Kishida, in particular, brings out the woman's weird obsessiveness, becoming increasingly human as the story progresses. Viewers are given plenty of opportunity to argue over what the allegory actually means - how a sense of freedom can be tempered by circumstances or how people can be forced to come to terms with a strange and unexpected environment, almost against their will. Rapidshare.com (14 * 100 MB + 56.6 MB) http://rapidshare.com/files/72318276/HTeshigahara-WDunes.part12.rar http://rapidshare.com/files/72321603/HTeshigahara-WDunes.part13.rar http://rapidshare.com/files/72324865/HTeshigahara-WDunes.part14.rar http://rapidshare.com/files/72261887/HTeshigahara-WDunes.part15.rar (Password-& 119;& 119;& 119;& 46;& 65;& 118;& 97;& 120;& 72;& 111;& 109;& 101;& 46;& 114;& 117;)
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