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Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 16. June 2010, 10:01

Henry Townsend / Mule

Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 3 ID: 0

Read mode : Secure

Utilize accurate stream : Yes

Defeat audio cache : Yes

Make use of C2 pointers : No

Read offset correction : 667

Overread into Lead-In and Lead-Out : No

Fill up missing offset samples with silence : Yes

Delete leading and trailing silent blocks : No

Null samples used in CRC calculations : Yes

Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder

Selected bitrate : 1024 kBit/s

Quality : High

Add ID3 tag : No

Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE

Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC of the extracted CD

Track | Start | Length | Start sector | End sector

---------------------------------------------------------

1 | 0:00.00 | 3:12.18 | 0 | 14417

2 | 3:12.18 | 3:52.27 | 14418 | 31844

3 | 7:04.45 | 3:46.40 | 31845 | 48834

4 | 10:51.10 | 3:58.40 | 48835 | 66724

5 | 14:49.50 | 2:40.33 | 66725 | 78757

6 | 17:30.08 | 3:09.45 | 78758 | 92977

7 | 20:39.53 | 3:27.45 | 92978 | 108547

8 | 24:07.23 | 2:54.30 | 108548 | 121627

9 | 27:01.53 | 2:35.27 | 121628 | 133279

10 | 29:37.05 | 4:24.45 | 133280 | 153124

11 | 34:01.50 | 4:49.15 | 153125 | 174814

12 | 38:50.65 | 3:20.03 | 174815 | 189817

13 | 42:10.68 | 3:45.22 | 189818 | 206714

Range status and errors

Selected range

Filename D:\MUSIK\Henry Townsend - Mule.wav

Peak level 100.0 %

Range quality 100.0 %

Copy CRC 60355513

Copy OK

No errors occurred

AccurateRip summary

Track 1 cannot be verified as accurate (confidence 2) [2AF8D2BC], AccurateRip returned [FFEABFD6]

Track 2 cannot be verified as accurate (confidence 2) [5CC61B68], AccurateRip returned [3B0CE790]

Track 3 cannot be verified as accurate (confidence 2) [6A44C9A0], AccurateRip returned [2A495596]

Track 4 cannot be verified as accurate (confidence 2) [889D5E01], AccurateRip returned [6857A89A]

Track 5 cannot be verified as accurate (confidence 2) [6EC1A080], AccurateRip returned [DBD250BF]

Track 6 cannot be verified as accurate (confidence 2) [6D9BF213], AccurateRip returned [A8D8165E]

Track 7 cannot be verified as accurate (confidence 2) [3F50A951], AccurateRip returned [9F1DD2B0]

Track 8 cannot be verified as accurate (confidence 2) [B313DE1A], AccurateRip returned [002E5FCF]

Track 9 cannot be verified as accurate (confidence 2) [70FE55E2], AccurateRip returned [D8339E7B]

Track 10 cannot be verified as accurate (confidence 2) [9E7E148F], AccurateRip returned [0AD93F6A]

Track 11 cannot be verified as accurate (confidence 2) [4F048600], AccurateRip returned [A0653096]

Track 12 cannot be verified as accurate (confidence 2) [6DF2D570], AccurateRip returned [E2D3363E]

Track 13 cannot be verified as accurate (confidence 2) [2619631E], AccurateRip returned [9E2269D9]

No tracks could be verified as accurate

You may have a different pressing from the one(s) in the database

End of status report

Influenced by Roosevelt Sykes and Lonnie Johnson, Henry Townsend was a commanding musician, adept on both piano and guitar. During the '20s and '30s, Townsend was one of the musicians that helped make St. Louis one of the blues centers of America.

Townsend arrived in St. Louis when he was around ten years old, just before the '20s began. By the end of the '20s, he had landed a record contract with Columbia, cutting several sides of open-tuning slide guitar for the label. Two years later, he made some similar recordings for Paramount. During this time, Townsend began playing the piano, learning the instrument by playing along with Roosevelt Sykes records. Within a few years, he was able to perform concerts with pianists like Walter Davis and Henry Brown.

During the '30s, Townsend was a popular session musician, performing with many of the era's most popular artists. By the late '30s, he had cut several tracks for Bluebird. Those were among the last recordings he ever made as a leader. During the '40s and '50s, Townsend continued to perform and record as a session musician, but he never made any solo records.

In 1960, he led a few sessions, but they didn't receive much attention. Toward the end of the '60s, Townsend became a staple on the blues and folk festivals in America, which led to a comeback. He cut a number of albums for Adelphi and he played shows throughout America. By the end of the '70s, he had switched from Adelphi to Nighthawk Records.

Townsend had become an elder statesmen of St. Louis blues by the early '80s, recording albums for Wolf and Swingmaster and playing a handful of shows every year. That's the Way I Do It, a documentary about Townsend, appeared on public television in 1984. During the late '80s, Townsend was nearly retired, but he continued to play the occasional concert until his death in 2006.