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The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Harold Love - English Clandestine Satire, 1660-1702
Posted on 2010-05-18
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More In early modern Britain, the primary medium of free comment was the clandestine satire, circulated either orally or in manuscript. Part of the national political culture from Jacobean times, satire reached its greatest influence following the Restoration of Charles II, when a new "easy" style, combining courtly polish with demotic frankness and flagrant indecency, led to the composition of thousands of such poems. Most of the poets of the time, including such major talents as Marvell and Rochester, wrote in the genre, though nearly always anonymously. While its chief targets were political, much Restoration satire concerned itself with the emerging demography of "Town" and its uncertain experimentation with new kinds of social freedom. Attacks on the sexual misbehavior (real or imagined) of aristocratic women hover, equally uncertainly, between moral condemnation and ill-disguised envy, while also conferring an inverse celebrity status on their victims. In this paradoxical social world, not to be lampooned could mean that one was no longer a person of importance. In the first comprehensive survey of this vast field, Harold Love considers the relationship of the lampoon to gossip, how one might construct a poetics of the genre, and how clandestine satire reached and was received by its readers. Constructing three primary categories of "court," "Town" and "state" lampooning, Love argues that far from being the product of isolated disaffection, most satire was the work of a circle of recognized poets, frequently operating in collaboration. An extensive first-line index to the principal manuscript sources for clandestine satire makes this book an open sesame to further exploration of its fascinating field.
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