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Cultures & Languages Fiat Ducato. Модели с 2000 г., модели российской сборки с 2008 г.
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Cultures & Languages Детская энциклопедия "Что такое? Кто такой?". 2 тома
Cultures & Languages География России. Природа. Население. 8 класс
Cultures & Languages Francisco Cândido Xavier - Nosso Lar : La vie dans le monde spirituel
Cultures & Languages Andre Agassi - Open
Cultures & Languages Francisco Candido Xavier - Action et Réaction
Cultures & Languages Il Sole 24 Ore - Speciale 2 - La riforma del lavoro
Cultures & Languages Tobias Hürter, Max Rauner - Les Univers parallèles
Cultures & Languages Alain Dupas - Demain nous vivrons tous dans l'espace
Cultures & Languages Stéphane Clerget - Les kilos émotionnels : Comment s'en libérer
Cultures & Languages The Longevity Project: Surprising Discoveries for Health and Long Life from the Landmark Eight-Decade Study [Audiobook]
Cultures & Languages Identity Economics: How Our Identities Shape Our Work, Wages, and Well-Being [Audiobook]
Cultures & Languages Carlo Rovelli - Et si le temps n'existait pas ?
Cultures & Languages Ervin Laszlo - Science et Champ Akashique - Tome 1
Cultures & Languages FlyPast 1997-12 (repost)
Cultures & Languages AutoForum - May 2012
Cultures & Languages Roberto Zamperini - Anatomie subtile
Cultures & Languages the guardian Diabetes - Tuesday, 12 June 2012
Cultures & Languages Lipase and Phospholipase Protocols (Methods in Molecular Biology) by Mark Doolittle (Repost)
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Cultures & Languages Gordon McMullan - Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death
Posted on 2010-03-16
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More Gordon McMullan - Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death. Thanks to original uploader!
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