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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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God Is Not a Story: Realism Revisited
Posted on 2010-04-12
|
More Francesca Aran Murphy, "" In God Is Not a Story Francesca Aran Murphy offers an original critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. She contends that to describe Christian doctrines as 'stories' is to undermine the reality of such doctrines, and that those who use the paradigm of story or narrative in theology are more interested in theological method, or what they are 'doing when they do theology', than in the content of theological affirmations. Murphy argues that, instead of speaking of, for example, the Trinity or the Resurrection, narrative theologists tend to focus on methods for speaking of the Resurrection, the Trinity (and so on), and that this linguistic concern transforms these facts or events into 'stories'. 'Story' is conceived as plot, and, within these terms, 'God' is envisaged as the major plot vehicle within the 'story' of Christian theology, subserving its methods and techniques. Yet the Scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free and unpredictable persons. Murphy develops an alternative approach, making use of cinema and film theory, and engaging in particular with the work of Hans Urs von Balthasar. - -
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