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History/Military Троя и троянцы. Боги и герои города-призрака
History/Military The Collapse Of The Democratic Presidential Majority: Realignment, Dealignment, And Electoral Change From Franklin Roosevelt To Bill Clinton (Transforming American Politics)
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History/Military Congress, Progressive Reform, and the New American State
History/Military Battle in the Baltics 1944-45: The Fighting for Latvia, Lithuania and Estonia, a Photographic History
History/Military Native Vote: American Indians, the Voting Rights Act, and the Right to Vote
History/Military The Martinsyde Elephant (Profile Publications Number 200)
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History/Military The Douglas A-20 (7A to Boston III) (Profile Publications Number 202)
History/Military The Heinkel He 162 (Profile Publications Number 203)
History/Military Democracy without Competition in Japan: Opposition Failure in a One-Party Dominant State
History/Military Globalization of Capital and the Nation-State: Imperialism, Class Struggle, and the State in the Age of Global Capitalism
History/Military Performances of the Sacred in Late Medieval and Early Modern England (Repost)
History/Military Demography and Roman Society (Ancient Society and History)
History/Military Reducing Poverty Through Growth And Social Policy Reform in Russia (Directions in Development)
History/Military Screening Politics; The Politician in American Movies, 1931-2001
History/Military Between Self-Determination and Dependency: Jamaica's Foreign Relations 1972-1989
History/Military Political Psychology: Key Readings
History/Military Anglo-Norman Studies 24: Proceedings of the Battle Conference 2001

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History/Military Global Television: Co-Producing Culture.

Posted on 2010-03-16




Name:History/Military Global Television: Co-Producing Culture.
ASIN/ISBN:1592135048
Language:English
File size:1.65 Mb
Publisher: Temple University Press
ISBN: 1592135048
Publish Date: 2008 edition
File Type: PDF
Pages: 224 Pages
File Size: 1.65 MB
   History/Military Global Television: Co-Producing Culture.

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Barbara Selznick, "Global Television: Co-Producing Culture".

The face of television broadcasting is changing in ways that are both profound and subtle. "Global Television" uncovers the particular processes by which the international circulation of culture takes place, while addressing larger cultural issues such as identity formation. Focusing on how the process of internationally made programming such as "Highlander: The Series" and "The Odyssey" - amusingly dubbed "Europudding" and "commercial white bread" - are changing television into a transnational commodity, Barbara Selznick considers how this mode of production - as a means by which transnational television is created - has both economic rewards and cultural benefits as well as drawbacks.drawbacks."Global Television" explores the ways these international co-productions create a global culture as well as help form a national identity. From British "brand" programming (e.g, Cracker) that airs on A&E in the U.S. to children's television programmes such as Plaza Sesamo, and documentaries, Selznick indicates that while the style, narrative, themes, and ideologies may be interesting, corporate capitalism ultimately affects and impacts these programmes in significant ways.

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