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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
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History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
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A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Giorgio Moroder – E=MC2 (1980) [Japan Edition 2010]
Posted on 2010-12-09
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More Dance-Pop, Disco | Label RecordsMan Communication, Japan 2010 Giorgio Moroder wasn't the first person to play electronic dance music -- Kraftwerk had a synthesizer oriented sound in the early '70s, and its electro-beats paved the way for a lot of the hip-hop, synth-pop, techno, industrial noise, house, and Hi-NRG that came in the '80s and '90s. But even though Moroder (who, like Kraftwerk's members, is German) didn't invent electronic dance music single-handedly, he was among the first people to recognize its possibilities. In 1979, Moroder showed us some of those possibilities on E=MC2, a programmed, entirely electronic recording he produced with Harold Faltermeyer. While Moroder's work with Donna Summer and others had favored strings and lavish orchestration, synthesizers and electronic beats defined this LP. Moroder was hardly the only producer who was using synthesizers in the late '70s, but while other disco/dance-pop albums of 1979 combined them with horns, strings, and Latin percussion, they are the very foundation of E=MC2. "In My Wildest Dreams," "I Wanna Rock You," and "What a Night" are average disco tunes -- it's the computerized digital production that made them so fresh-sounding and risk-taking for their time. To fully appreciate how forward-thinking this album was, you have to remember that in 1979 R&B and dance-pop hadn't gone completely high-tech and were still relying on a lot of studio musicians. This is the electronic dance music that preceded the rise of techno, house, and industrial noise, and it came at a time when hip-hop was in its infancy and the rave subculture had yet to be invented. Even though the songs themselves are average, Moroder and Faltermeyer's futuristic production makes E=MC2 a historically interesting LP that anyone who has enjoyed electronic dance rhythms needs to check out. (from Allmusic.com) Tracklist: 01. Baby Blue (4:54) 02. What A Night (4:54) 03. If You Weren't Afraid (5:40) 04. I Wanna Rock You (6:32) 05. In My Wildest Dream (4:37) 06. E=MC2 (4:32) 07. Love's In You, Love's In Me (3:35) 08. Evolution (15:15) FileSonic
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