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Lyrics & Music Gérard Grisey: Le Temps et l'Écume, Les Chants de l'Amour

Posted on 2010-08-03




Name:Lyrics & Music Gérard Grisey: Le Temps et l'Écume, Les Chants de l'Amour
ASIN/ISBN:B0019IT68Y
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Gérard Grisey: Le Temps et l'Écume, Les Chants de l'Amour

Ensemble S; WDR Sinfonieorchester Köln; Emilio Pomárico, conductor; Schola Heidlberg; Walter Nußbaum, choir master

There is little doubt in my mind that Gérard Grisey is the most important French composer since Messiaen. He is, along with Tristan Murail, responsible for the 'Spectralist' movement in music, and is one of the greatest creative geniuses of the 20th century. Included on this 2008 Kairos release is a seldom performed 20-minute work for chamber orchestra, four percussionists, and two synthesizers, and a stunning work for twelve voices and tape.

& 8220;The music Gérard Grisey composed in the 15 years or so before his sudden death in 1998 at the age of 52 is some of the most remarkable of the last decades of the 20th century. Though his final work, Quatre Chants Pour Franchir le Seuil, is recognised as a contemporary classic, much of what preceded it is still little known. The two substantial pieces on this disc belong to the 1980s; Les Chants de l'Amour, for 12 voices and prerecorded tape, was completed in 1984, Le Temps et l'Ecume, for four percussionists, two synthesisers and orchestra, five years later. Both are extraordinary. The 35-minute vocal piece gathers together phrases and names associated with love and weaves them into a patchwork of beguiling sounds, to which artificial "voices", generated using IRCAM software, add an unearthly dimension. While some of the vocal writing recalls Stockhausen's Stimmung, it never feels derivative. Grisey's ability to push his music into expressive regions that few other composers of his generation have ever reached is also demonstrated in Le Temps et L'Ecume, in which the rich terracing of Grisey's spectral harmonies produces a fabulous interplay of live and synthesised sounds. It's a disconcerting, thrilling work, and like so much of Grisey's music it's uniquely personal.

-Andrew Clements, guardian.co.uk
& 8221;


Gérard Grisey

Le Temps et l'Écume, Les Chants de l'Amour

1) Le Temps et l'Écume (1988-89)

Performed by Ensemble S, percussionists; Paulo Alvares, synthesizer; Benjamin Kobler, synthesizer; WDR Sinfonieorchester Köln; Emilio Pomárico, conductor

2) Les Chants de l'Amour (1982-84) I

3) Les Chants de l'Amour (1982-84) II

4) Les Chants de l'Amour (1982-84) III

5) Les Chants de l'Amour (1982-84) IV

6) Les Chants de l'Amour (1982-84) V

Performed by Schola Heidelberg; Walter Nußbaum, choir master

I've adopted interzone's method of using a split 7z archive. Best in his own words: "Packed as a contiguous zip inside a multi-part 7z, served by RS..."

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