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Technical Fluid Concepts and Creative Analogies
Posted on 2010-03-15
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Fluid Concepts and Creative Analogies Publisher: Basic Books
Number Of Pages: 532 Publication Date: 1996-03-01 Sales Rank: 257679 ISBN / ASIN: 0465024750 EAN: 9780465024759 Binding: Paperback Manufacturer: Basic Books Studio: Basic Books Average Rating: 4 Douglas Hofstadter, best known for his masterpiece Godel, Escher, Bach: An Eternal Golden Braid, tackles the subject of artificial intelligence and machine learning in his thought-provoking work Fluid Concepts and Creative Analogies, written in read.freeduan.com conjunction with the Fluid Analogies Research Group at the University of Michigan. Driven to discover whether computers can be made to "think" like humans, Hofstadter and his colleagues created a variety of computer programs that extrapolate sequences, apply pattern-matching strategies, make analogies, and even act "creative." As always, Hofstadter's work requires devotion on the part of the reader, but rewards him with fascinating insights into the nature of both human and machine intelligence. "Will change your idea of what it is to be creative and even what it is to be human."--(William Poundstone, New York Times Book Review) Review: 15 years on, still relavant. We have a long way to go.... Hofstadter provides effectively a series of articles published elsewhere, edited in his engaging, verbose style. Basically the question of the book hwo would a computer solve the following: "X:x as Y:?" You can get much more complex, but basically his group spents the 80's and early 90s researching this questions and trying to figure out, "know when to break the rules" applied. His overall appraisl of AI is that even within confined realms, it still produces inconsistent results, and there is a long way to go. Processing power is ~1000x greater than when he wrote this book, but as he observed with Deep Blue, "Brute force methods tell us nothing about Human thought". I realized this was a small sampling of the issues facing the whole approach. Enjoy. OR
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