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Felix Kubin & Ensemble Integrales - Echohaus (2011)

Genre: Ambient, Experimental | Label: Dekorder

Tracklist:

01-Kugeln [00:59]

02-Uncanny Valley [03:18]

03-Die Sanfte Welt Der Ruhestoerung [01:39]

04-Nachtschicht Fuer Russolo [04:28]

05-Zerschlage Mein Herz, Dreifaltiger Gott [03:29]

06-Die Besucher [03:22]

07-Schwarzer Fluss [09:17]

08-Nahtlos Gluecklich [03:07]

09-Fluchtweg [02:47]

10-Bande Vierge [05:50]

11-Obelisk [02:02]

12-Smiling Buddha [03:00]

13-Voegel Ohne Specht [04:42]

14-Dusty Corners [02:46]

15-Freundliche Zukunft [01:54]

This latest project by the Hamburg-based musician, composer,

and futurist, Felix Kubin, (his second release on Dekorder) is

a collaboration with the contemporary music chamber group,

ensemble Int?grales, and the reknowned German underground pop

producer and sound engineer, Tobias Levin.

Echohaus was recorded in and around Levin's Electric Avenue

studio in the basement of WESTWERK, a former squat and

cultural centre for non-commercial art and music in Hamburg.

A special recording technique was developed for the project

whereby the musicians played simultaneously in separate rooms,

connected to one and other only by headphones. This was done

in order to achieve a lively,?cinematic" sound that made use

of the particular dynamics of the rooms and amplified

mechanical details. The rooms, each of which had a different

acoustic character, were used as natural echo chambers. Kubin

and the composer Burkhard Friedrich, former member of ensemble

Int?grales, provided the musicians with simple graphic scores

or basic descriptions of the compositions; all subsequent

material was developed on the fly. Kubin was in the mixing

room giving instructions and suggestions, while the musicians

played and improvised, adding their own ideas to the project.

No artificial reverb or effects were added to the recordings.

The different types of rooms and microphones, noises inside

and outside of the studio, as well as the unusual

interrelationship between the physically isolated players

became part of the process. All the tracks were recorded in

one take without any additional layers or track-by-track

recordings. After a five-day recording session Kubin and Levin

created various mixes which Kubin then edited over a period of

several months.

The final results mark yet another radical departure from

Kubin's trademark Sci-Fi Pop sound, blending the aesthetics of

academic contemporary music, film soundtracks and improvised

music with a strong focus on room-specific natural acoustics.

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