Book123

    Free register and download UseNet downloader, then you can FREE Download from UseNet.

    Download without Limit " Lyrics & Music Ensemble Gilles Binchois, Ustad Nishat Khan - Meeting of Angels " from UseNet for FREE!

More

Ensemble Gilles Binchois, Ustad Nishat Khan - Meeting of Angels

EAC FLAC cue | Booklet | 240 MB

ENSEMBLE GILLES BINCHOIS / 18. MEETING OF ANGELS

ENSEMBLE GILLES BINCHOIS / 6. LES TONS DE LA MUSIQUE

& 8220;

For readers of the EM FAQ, the Ensemble Gilles Binchois needs little introduction. As their biography for this record states, their "every record ... marks a milestone in the history of the interpretation of ancient vocal music." This is undoubtedly true. Nishat Khan holds a very lofty position in North Indian (Hindustani) classical music, as he is now entering the prime of his career as the leading representative of his musical family, one which is the most famous in Indian music and which traces its roots directly to the crucible of the medieval Moghul court and the legendary Tansen. His uncle, Vilayat Khan, was the leading sitar player of his generation. (These remarks are not taken from the liner notes, but rather my previous acquaintence with these artists.) Regretably, the manner of production is not specified in what are otherwise interesting & high-quality liner notes. My inference is that an existing recording of plainchant by Ensemble Gilles Binchois (verified as Harmonic 8827 by J.F. Weber) was used by Nishat Khan as the backdrop for his own sitar work, with mixing by Matteo Silva in Rome. Introductory remarks by Dominique Vellard are included, so Ensemble Gilles Binchois' work is used with permission, at the very least. It is also possible that Nishat Khan did not refer to the chant directly, and that the combination is entirely Silva's creation. Nonetheless, both performers are presented in entirely authentic manner, emphasizing the continuity of melodic line between these traditions. For someone familiar with each, the music melts seamlessly from one to the other. There is little by way of contrast, as one might typically expect from "fusion" efforts, but rather a synthesis of sound. In that sense, I find few new ideas or stimulating reconstitutions of basic material. The production is essentially obvious in its combination of two traditions with which I am familiar. Nonetheless, it is certainly pleasant and any subsequent "discoveries" will be noted here. One point of emphasis for Silva is the hypothesized origin of plainchant in the Indian raga, a notion which is impossible to verify. Todd M. McComb Buy It at Lowest Price on Amazon

& 8221;

ENSEMBLE GILLES BINCHOIS / 18. MEETING OF ANGELS

1 - Alleluia. Pascha nostrum [5:37]

[Tons de la Musique 14, 7me. ton]

2 - Introit. Dominus illuminatio mea [6:46]

[Tons de la Musique 03, 2me. ton]

3 - Introit. Statuit ei dominus [4:17]

[Tons de la Musique 01, 1er. ton]

4 - Introit. Reminiscere miserationum [3:39]

[Tons de la Musique 07, 4me. ton]

5 - Graduel. Bonum est confiteri Domino [3:04]

[Tons de la Musique 10, 5me. ton]

6 - Solo Sitar - Raag Bhairavi (a Raag played at Dawn of the Morning) [6:49]

7 - Alleluia. Excita Domine, potentiam tuam [3:38]

[Tons de la Musique 08, 4me. ton]

8 - Introit. Tibi dixit cor meum [6:28]

[Tons de la Musique 05, 3me. ton]

9 - Offertorium. Domine, in auxilium meum [5:20]

[Tons de la Musique 12, 6me. ton]

ENSEMBLE GILLES BINCHOIS

Dominique Vellard

Anne-Marie Lablaude

Brigitte Lesne

Catherine Schroeder

Dominique Vellard

Emmanuel Bonnardot

Willem de Waal

ENSEMBLE GILLES BINCHOIS / 6. LES TONS DE LA MUSIQUE

The following is the original chant recording. I found it elsewhere in avaxhome when I looked for it, but unfortunately links were dead. I include links for an mp3.version (collected from a p2p) of The tons of the musique in Harmonic, with scans (85 MB), and also for its reedition in Cantus (mpc.xtreme~234, 95 MB). But I would be grateful if someone among those who downloaded the lossless version and the scans would be kind enough to reupload it.:

1er. Ton:

01 - Introït - Statuit ei Dominus [3:10]

D E W

02 - Graduel. Miserere mei Deus

D E

¶ Misit de celo [3:50]

E

2me. Ton:

03 - Introït. Dominus illuminatio mea [2:38]

A B C

04 - Offertoire. Benedicite gentes

A B

¶ Iubilate Deo omnis terra

B

¶ In multitudine [6:17]

A

3me. Ton:

05 - Introït. Tibi dixit [2:27]

D E W

06 - Offertoire. Filie regum

D E

¶ Eructavit cor meum

E

¶ Virga recta est [4:57]

D

4me. Ton:

07 - Introït. Reminiscere miserationum [3:09]

A B C

08 - Alleluia

A B

¶ Excita Domine

B

- Prose. Qui regis sceptra [2:29]

A

5me. Ton:

09 - Introit. Circumdederunt me gemitus mortis [2:29]

D E W

10 - Graduel. Bonum est confiteri Domino

D E

¶ Ad adnunciandum [3:04]

D

6me. Ton:

11 - Introït. In medio ecclesie [3:08]

A B C

12 - Offertoire. Domine, in auxilium

A B

¶ Avertantur retrorsum [2:16]

B

7me. Ton:

13 - Introït. Viri Galilei [3:12]

D E W

14 - Alleluia

D E W

¶ Pascha nostrum

D

¶ Epulemur [2:48]

D

8me. Ton:

15 - Introït. Domine ne longe [3:19]

A B C

16 - Trait. Adtende celum [2:59]

A B

Es notable la distribución de la voces, alternando masculinas (tonos impares) y femeninas, primero las tres, luego dos y una. Produce una hermosa armonía en el listado de pistas.

ENSEMBLE GILLES BINCHOIS

Dominique Vellard

A / Anne-Marie Lablaude

B / Brigitte Lesne

C / Catherine Schroeder

D / Dominique Vellard

E / Emmanuel Bonnardot

W / Willem de Waal

TONUM I. AUTHENTUS :

01 - (Introitus) Statuit ei Dominus [3:11]

02 - (Graduale) Miserere mei Deus [1:16]

03 - (Versiculus) Misit De Celo [2:33]

TONUM II. PLAGIS PROTUS:

04 - (Introitus) Dominus illuminacio mea [2:38]

05 - (Offertorium) Benedicite gentes [1:51]

06 - (Versiculus) Iubilate Deo omnis terra [2:19]

07 - (Versiculus) In multitudine [2:06]

TONUM III. AUTHENTUS DEUTERUS:

08 - (Introitus) Tibi Dixit [2:26]

09 - (Offertorium) Fillie Regum [1:17]

10 - (Versiculus) Eructavit cor meum [1:35]

11 - (Versiculus) Virga recta est [2:04]

TONUM IV. PLAGIS DEUTERUS:

12 - (Introitus) Reminiscere miserationum. Allelluia [3:09]

13 - (Alleluia. Versiculus) Excita Domine [1:01]

14 - (Alleluia. Prosa) Qui regis sceptra [1:28]

TONUM V. AUTHENTUS TRITUS:

15 - (Introitus) Circumdederunt me [2:28]

16 - (Graduale) Bonum est [0:54]

17 - (Versiculus) Ad adnunciandum [2:09]

TONUM VI. PLAGIS TRITUS:

18 - (Introitus) In medio ecclesie [3:07]

19 - (Offertorium) Domine, in auxilium [1:02]

20 - (Versiculus) Avertantur retrorsum [1:13]

TONUM VII. AUTHENTUS TETRARDUS:

21 - (Introitus) Viri Galilei. Allelluia [3:11]

22 - (Allelluia. Versiculus) Pascha nostrum [1:08]

23 - (Allelluia. Versiculus) Epulemur [1:40]

TONUM VIII. PLAGIS TETRARDUS:

24 - (Introitus) Domine ne longe [3:18]

25 - (Tractus) Adtende celum [2:53]

Rating:
2.5 out of 5 by Book123