EberWeber Endays rar (1862078807)

Eberhard Weber - Endless Days

FLAC (EAC rip) separate tracks Log + CUE full scans ~275 MB incl. 3% recovery (2 files)

Genre: Jazz, Chamber jazz, Crossover Label: ECM (ecm1748) Year: 2001

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In Endless Days, his 11th release on ECM, Eberhard Weber has made one of his most poetically conceived and thoroughly realised statements yet for the label. There are two spacious solo pizzicato features by this German master of the electrobass but the overall emphasis is on ensemble playing, with a finely judged approach to matters of thematic texture, development and dynamics which is often redolent of the world of tonal 20th-century classical music. Paul McCandless sticks mainly to oboe, English horn and bass clarinet, turning to soprano only in a welcome update of the 1980 "Last Stage of A Long Journey", while Rainer Bruninghaus contributes both judicious sampled string sections and beautifully turned, refreshingly light-touch playing on what sounds like an exceptional piano. Returning to the studio after an absence of some 14 years, Michael DiPasqua brings sensitive and dramatic percussion to a programme that puts Weber the instrumentalist and Weber the composer in complete balance. ~Michael Tucker, amazon.co.uk

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In general, when I see the words "crossover" or "third stream" used to describe a recording, I turn the page. But after reading Tom Conrad's enthusiastic and insightful review (in last June's Stereophile) of Endless Days, bassist Eberhard Weber's first album as a bandleader in seven years, I had to get hold of the CD. I was glad I did.

The eight tone paintings on Endless Days cover a wide range of compositional styles, from the improvisational solo bass excursions of Solo for Bass and A Walk in the Garrigue to the rhapsodic and occasionally minimalist scores for bass, drums, keyboards, and woodwinds like Concerto for Bass, Nuit Blanche, and the Mark Isham-colored title track. The music isn't jazz, even though there is some superbly inventive improvising, and it isn't classical, despite its formal scoring. But wherever you find this disc categorized in the CD store, all the compositions are underpinned by Weber's virtuosic playing on an amplified fretless standup bass that speaks with a clear voice in its top octaves but is still full and rich, without boom, in its lowest register.

The Norwegian recording is of necessity close-miked and multitracked, but intelligently done, with musical sensitivity. Yes, Tom Conrad remarked that engineer Jan Erik Kongshaug didn't capture "the last measure of air and intimacy that he gets with all-acoustic ensembles," but the soundscapes on this CD still envelop the listener in a satisfyingly hypnotic manner.

As a footnote, let me pay tribute to ECM's Manfred Eicher, a man who seems to be unaware of the ill winds blowing through the music industry, and who continues to issue a stream of jazz and classical recordings with both technical and musical merit. John Atkinson, 2002 Records To Die For, at stereophile.com

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The Music:

01 - Concerto For Bass (06:09)

02 - French Diary (06:46)

03 - Solo For Bass (03:39)

04 - Nuit Blanche (04:45)

05 - A Walk In The Garrigue (03:28)

06 - Concerto For Piano (04:46)

07 - Endless Days (08:35)

08 - The Last Stage Of A Long Journey (09:20)

Composed and arranged by Eberhard Weber

The Players:

* Eberhard Weber - bass

* Paul McCandless - oboe, English horn, bass clarinet, soprano saxophone

* Rainer Bruninghaus - piano & keyboards

* Michael DiPasqua - drums & percussion

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