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This is the list of all 80 production exercises and their topics that go with the second edition of the book and its DVD. Just click on any exercise to load and go. You can bookmark the home page to get a faster connection to this web site than using the DVD.If you are a visitor that has not signed up yet then clicking on any exercise will take you back to the home page where you can sign up.

Content:

* Exercise 1-1: User Guide for the Production Exercises

* Exercise 2-1: Creating Custom Luma-Keys

* Exercise 2-2: Working with Chroma-Keys

* Exercise 2-3: Creating your own Chroma-key

* Exercise 2-4: The Problem with Difference Mattes

* Exercise 2-5: How to Create a Bump Matte

* Exercise 2-6: Try Your Third Party Keyer

* Exercise 2-7: Pulling your own Matte - I

* Exercise 2-8: Pulling your own Matte - II

* Exercise 2-9: Pulling your own Matte in Photoshop

* Exercise 2-10: Pulling your own Matte - III

* Exercise 2-11: Scaling the Raw Matte

* Exercise 2-12: Refining a Greenscreen Matte

* Exercise 2-13: Coping with Poorly Lit Greenscreens

* Exercise 2-14: The Screen Leveling Technique

* Exercise 2-15: The Screen Correction Technique

* Exercise 2-16: The Adobe After Effects Matte

* Exercise 3-1: Working with Garbage Mattes

* Exercise 3-2: How to Filter Mattes

* Exercise 3-3: Controlling the Size of a Matte

* Exercise 4-1: How to Despill a Greenscreen - I

* Exercise 4-2: How to Despill a Greenscreen - II

* Exercise 4-3: How to Despill a Greenscreen - III

* Exercise 4-4: How to Despill a Greenscreen in Photoshop

* Exercise 4-5: The Amazing Unspill Operation

* Exercise 5-1: How a Composite Works

* Exercise 5-2: How a Semi-Transparent Composite Works

* Exercise 5-3: The Processed Foreground Composite

* Exercise 5-4: The Add-Mix Composite

* Exercise 5-5: Adding Edge Blend to a Composite

* Exercise 5-6: Adding Light Wrap to a Composite

* Exercise 5-7: The Soft Comp: Hard Comp Technique

* Exercise 5-8: Working with Premultiplied CGI

* Exercise 5-9: Working with Premultiplied CGI in Photoshop *

* Exercise 5-10: The Unpremultiply Operation

* Exercise 5-11: Coping with CGI Highlight Clipping

* Exercise 6-1: Mastering the Screen Operation

* Exercise 6-2: Image Blending Operations

* Exercise 6-3: Replicating Photoshop Blending Modes

* Exercise 6-4: Creating Animation with Slot Gags

* Exercise 7-1: Matching the Brightness and Contrast

* Exercise 7-2: Matching the Color and Quality of Light

* Exercise 7-3: How to Create Convincing Shadows

* Exercise 7-4: Simulating Atmospheric Haze

* Exercise 7-5: Working with Non-Linear Gradients

* Exercise 7-6: How to Create a Glow

* Exercise 8-1: Methods of Matching a Defocus

* Exercise 8-2: Image Sharpening Techniques

* Exercise 8-3: Applying a Lens Flare

* Exercise 8-4: How to Match Grain Structure

* Exercise 8-5: Applying Grain to a Shot

* Exercise 9-1: Working with 2D Transformations

* Exercise 9-2: Working with 3D Transformations

* Exercise 9-3: Understanding the Effects of Filtering

* Exercise 9-4: Quick Line-up Procedures

* Exercise 9-5: Motion Tracking a Shot

* Exercise 9-6: Stabilizing a Bouncy Shot

* Exercise 9-7: Warps and Morphs

* Exercise 10-1: How Gamma Works

* Exercise 10-2: Setting up Your Monitor

* Exercise 11-1: How to De-Interlace Video

* Exercise 11-2: Performing a 3:2 Pullup

* Exercise 11-3: Working with NTSC Video

* Exercise 11-4: How to Prevent Interlace Flicker

* Exercise 11-5: Reformatting Video for Film

* Exercise 11-6: Working with HiDef Video

* Exercise 11-7: Reformatting Film for Video

* Exercise 12-1: Working with Full Aperture Film Formats

* Exercise 12-2: Working with Academy Aperture Film Formats

* Exercise 12-3: Working with the Cinemascope Film Format

* Exercise 13-1: The Effects of Bit Depth on Images

* Exercise 13-2: How to Prevent Banding

* Exercise 13-3: How to Fix Banding

* Exercise 14-1: Converting Log Images to Linear Space

* Exercise 14-2: Introducing a Soft Clip

* Exercise 14-3: How to Color Correct Log Images

* Exercise 14-4: How to Composite Log Images

* Exercise 14-5: How to Composite Linear Images over Log

* Exercise 14-6: How to Composite CGI over Log Images

* Bonus Material: A Preview of the Bonus MaterialSteve Wright

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