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Lectures on Numerical Methods in Bifurcation Problems
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The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Dianne Reeves - Quiet After The Storm (1999)
Posted on 2010-10-13
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More Genre: Jazz, Vocal, Smooth Jazz | Label: Blue Note | Original Release Date: May 2, 1995 Dianne Reeves, who has always had a beautiful voice and the potential for greatness in jazz, has conducted a rather directionless career, performing many concerts filled with spontaneity while at the same time recording erratic albums that usually feature both veteran jazz ballads and newer material that is closer to pop and folk music. There are some strong jazz moments on this CD. "Comes Love" has an inventive arrangement that uses a riff from the Miles Davis version of "'Round Midnight" and a familiar rhythmic phrase from "Star Eyes" in surprising ways. "Detour Ahead" is fine and "The Benediction" ("Country Preacher" with Reeves's lyrics) is a sincere tribute to Cannonball Adderley (who makes a brief appearance on soprano via sampling) but on some of the other pieces Reeves wanders far away from jazz. She sings a couple of folk songs with guitarist Dori Caymmi, introduces the heartwarming if poppish original "Nine" and performs a very straight version of Joni Mitchell's "Both Sides Now" that makes the song sound like a Broadway show tune. Perhaps Dianne Reeves's eventual niche will be as a jazz-influenced folk-pop singer; someday she should probably make up her mind.Scott Yanow - All Music Guide Tracklist 1. Hello, Haven't I Seen You Before 4:55 2. Comes Love 5:37 3. Smile 4:13 4. Jive Samba 0:43 5. The Benediction (Country Preacher) 4:14 6. Detour Ahead 6:46 7. Yemanja/Sargaco Mar 5:07 8. Nine 4:50 9. In A Sentimental Mood 5:20 10. When Morning Comes (Jasmine) 5:47 11. Both Sides Now 7:02 12. Sing My Heart 5:01 Players Vocals: Dianne Reeves Saxophones: Joshua Redman, Ron Blake, Everette Harp Trumpet: Roy Hargrove, Gary Grant, Piano: David Torkanowsky, George Duke, Jacky Terrasson Guitar: Kevin Eubanks, Dori Caymmi, Bass: Chris Severin Drums: Billy Kilson, Terri Lynne Carrington Percussion: Luis Conte, Airto Moreira Enjoy, and thanks all!!!
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