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Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Отчёт EAC об извлечении, выполненном 27. июня 2010, 21:57

David Benoit / Professional Dreamer

Дисковод: ASUS DRW-1612BL Adapter: 3 ID: 0

Режим чтения : Скоростной

Коррекция смещения при чтении : 0

Способность читать области Lead-in и Lead-out : Нет

Заполнение пропущенных сэмплов тишиной : Да

Удаление блоков с тишиной в начале и конце : Нет

При вычислениях CRC использовались нулевые сэмплы : Нет

Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции

Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор

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1 | 0:00.00 | 4:58.27 | 0 | 22376

2 | 4:58.27 | 5:35.22 | 22377 | 47523

3 | 10:33.49 | 5:01.52 | 47524 | 70150

4 | 15:35.26 | 4:49.09 | 70151 | 91834

5 | 20:24.35 | 4:57.02 | 91835 | 114111

6 | 25:21.37 | 4:17.10 | 114112 | 133396

7 | 29:38.47 | 4:50.74 | 133397 | 155220

8 | 34:29.46 | 4:22.55 | 155221 | 174925

9 | 38:52.26 | 4:47.67 | 174926 | 196517

10 | 43:40.18 | 3:40.70 | 196518 | 213087

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла D:\Grably\David Benoit - Professional Dreamer.wav

Проблемы синхронизации 0:00:39

Проблемы синхронизации 0:34:58

Проблемы синхронизации 0:42:49

Проблемы синхронизации 0:43:24

Проблемы синхронизации 0:43:45

Проблемы синхронизации 0:46:17

Проблемы синхронизации 0:47:12 - 0:47:13

Пиковый уровень 100.0 %

CRC копии 414DC5D7

Копирование завершено

Ошибок не произошло

Конец отчёта

Personnel includes: David Benoit (strings, piano, Hammond B-3 organ, Fender Rhodes piano, keyboards, drum programming); Andy Suzuki (tenor saxophone); Rick Braun (trumpet, programming); Ross Bolton, Pat Kelly, Tony Maiden, Marc Antoine (guitar); Cliff Hugo, Jimmy Johnson, Neil Stubenhaus (bass); David Palmer, Vinnie Colaiuta (drums); John Ferraro (cymbals, percussion); Brad Dutz (percussion).

"Dad's Room" was nominated for the 2000 Grammy Award for Best Instrumental Composition.

The pairing of smooth jazz's premier veteran pianist and trumpeter/producer Rick Braun is remarkable. The six tracks produced by the latter offer a unique contrast between thick, hip-hoppy bass grooves and Benoit's peppy, angst-free ivory musings. On the in-your-face "Rejoyce," Benoit's swirling, high-register melody combines with Pat Kelley's Wes Montgomery-like electric licks (and Benoit's own Hammond B-3 harmony coloring) for a floating ride above a jumpy retro-soul rhythm. The underpinnings are even chunkier on "Jump Start," which finds Benoit's piano and Andy Suzuki's playful alto making light, bluesy conversation over a throbbing hip-hop pattern. Braun also gives Benoit space here for some lower-toned piano improvisations. Braun indeed lets Benoit be Benoit on the graceful ballad "Something You Said," whose melody -- enhanced by Marc Antoine's tender acoustic guitar harmony -- glides over a sparse, easy shuffling percussion scheme. Braun mostly plays keyboards, but picks up his muted trumpet to go strutting with Benoit's joyous exclamations over a laid-back but still pulsating groove as if they were joining "Miles After Dark." Longtime Benoit fans who fear change can rest assured; the four remaining tunes produced by the pianist and longtime engineer Clark Germain are vintage. "Golden Gate" and "Dad's Room" (a sweeping film score like tribute to Benoit's ailing father) are simple and sweet, orchestrally enhanced piano reflections, while "Gothic Jazz Dance" combines Benoit's equal loves for pop, chamber music (the hypnotic piano flurries in the intro), and Brazilian rhythms. ~ Jonathan Widran

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