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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
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A Short Biographical Dictionary of English Literature
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Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Crossfire (1947)
Posted on 2010-10-19
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More Directed by Edward Dmytryk Genre: Crime / Drama / Film Noir Edward Dmytryk's classic noir on anti-Semitism in the military was adapted from a Richard Brooks novel, The Brick Foxhole. Like many noirs, it's steeped in the malaise of returning GIs, still recovering from the trauma of war and trying to adapt to a changed world. Dmytryk evokes a miasma of angst with the noir vocabulary of looming shadows, oblique angles, and low-key lighting. Robert Young's professorial detective leads the investigation, which takes on a collective quality as Robert Mitchum's sergeant becomes involved, the film counterpointing their quiet sanity against the disorientation of the mustered-out soldiers and the raging paranoia of the murderer. Robert Ryan is most impressive as the latter, a matrix of festering resentments of which his anti-Semitism is only one. The residue of the original story remains in a slightly off-kilter scene, apparently detached from the narrative, in which a GI (George Cooper) discusses his alienation with a sympathetic stranger (Sam Levene). The first film to address the subject of anti-Semitism, it remains effective. Due to the film's content, in October 1947, producer Adrian Scott and director Dmytryk were called to testify before HUAC and became the first two members of the famed Hollywood Ten, a group of producers, directors, and writers, including Ring Lardner Jr. and Dalton Trumbo.
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