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(1977/2009) [Remastered]

Krautrock, Minimal, Ambient | Label: Bureau B | Catalog Number: bb 029

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Brian Eno's first collaboration with Cluster, the best of this album's instrumental pieces are too emotionally rich to waste as mere background music, evoking feelings of hesitancy and regret that rescue the music from mere vapid prettiness. Three tracks in particular indicate things to come. "Wehrmut" is an ethereal synth piece with the pace slowed to a tantalizing crawl. "Steinsame" features a treated guitar playing a slow figure over a dark, almost funereal synth melody. "Schöne Hände" uses watery synth effects to highlight a shivery rhythm pattern. Other pieces dispense with moody atmospherics altogether. Tracks like "Ho Renomo" and "Selange" consist mainly of pounding rhythm patterns lightly embellished by piano or synthesizer, and "Die Bunge" sounds like an electronic goldfinch fluttering around a cartoon horse. While not the unqualified success of their 1978 collaboration After the Heat, Cluster & Eno remains an important album. Along with Eno's 1978 Music for Films, these works helped define the depth and promise of ambient music.

Brian Eno’s seminal experimentations as a composer and producer in the mid-to-late 1970s were marked by a sense of tension and release between the poles of edgy urban hipness and calm, bucolic beauty. (He was to bring both into some kind of balance on projects like David Bowie’s Low and his own Before and After Science.) So it was no surprise that he would hook up with adventurous German synth pastoralists Hans-Joachim Roedelius and Dieter Moebius-- Cluster-- and join in their mostly gentle experiments with the human/machine interface, at Conny Plank’s legendary studio in Germany. Cluster and Eno, from 1977, was the first collaboration between Eno and the duo. The jacket photos set up the record’s intent nicely: a microphone aimed at a blue sky scrimmed with clouds; a shot of the musicians: Eno looking urbane in stylish jacket, Moebius and Roedelius, unshorn and unshaven, garbed like farmers just in from the fields. The basic Cluster modus operandi seemed to be one of building complex and evocative sounds on analog synthesizers, then creating interlocking parts that allowed the sounds to bloom and take motion, thus making for auditory landscape art that could drift and flow while remaining rooted in repeating patterns and the tactile quality of combined timbre and envelope. Acoustic instruments--piano in particular-- enriched the palette of tonal colors. It was a perfect space for Eno to delve more deeply into the sort of foggy sound-event pieces that he had woven into his 1975 masterpiece Another Green World. And Cluster helped bring a warmth to Eno’s instrumental explorations that had mostly been missing up to that point: a tint of lush, humanistic romanticism to color the sine waves and the humming of electronic circuits. (“Fur Luise”, for example, with its lovely and ambiguous triadic harmonic motion and rich tonal luster, could pass as an early sketch for the shimmering and shadowy Eno collaborations with Daniel Lanois that would follow a year or two later.) This record is much more than an Eno album, however. Check out “One”, with its tamboura drone, chattering kalimbas, eerie synth growls and moans, and mysterious scraping noises: it’s a rich world of sound that offers some kind of narrative, albeit a narrative that might change with each listening. On “Die Bunge,” a fantasy night-forest of conversing synthi-beasts and shadows eventually coalesces into a strange transistorized reggae beat-box- and- bass groove. These are the sort of sonic adventures that Cluster often brought to life. Overall, the music on Cluster and Eno seems to reflect perceptions of-- and connections with-- nature: water and sky; landscape and countryside. Most importantly, this somewhat unassuming record offers a warm look back into a brave new era, when analog sythesizers and human pop musicians got together to explore the manifold and fecund possibilities of their interactions.

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Tracklist:

01.Ho Renomo (5:12)

02.Schöne Hände (3:06)

03.Steinsame (4:12)

04.Wermut (5:04)

05.Mit Simaen (1:33)

06.Selange (3:35)

07.Die Bunge (3:47)

08.One (6:19)

09.Für Luise (3:27)

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