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The contributors to this volume negotiate the notion of a 'classic' in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. Taking the problematic term 'classic' as its focus, the contributors consider both canonical literary and film texts, questioning whether classic status in one domain transfers it to another. looks at a wide range of texts and their adaptations. Authors discussed are Shakespeare, Charlotte Bronte, Henry James, Franz Kafka, Thomas Mann, Virginia Woolf, Nathaniel Hawthorne, Arthur Miller, Truman Capote and Lewis Carroll. Book to film adaptations analysed include Jane Eyre, The Crucible, The Tempest and Alice in Wonderland. The collection also evaluates the term 'classic' in a wider context, including a comparison of Joyce's Ulysses with Hitchcock's Rear Window. Throughout, the contributors challenge the dichotomy between high culture and pop culture.

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	Arts & Design The Philosophy of Science Fiction Film Steven M. Sanders “The Philosophy of Science Fiction Film" University Press of Kentucky \| 2007-12-14 \| ISBN: 0813124727 \| 240 pages \| PDF \| 1,03 MB The science fiction genre maintains a remarkable hold on the imagination and enthusiasm ...
	Cultures & Languages Retrovisions: Reinventing the Past in Film and Fiction (Film/Fiction) Retrovisions: Reinventing the Past in Film and Fiction (Film/Fiction) By Deborah Cartmell, I.Q. Hunter, Imelda WhelehanPublisher: Pluto Press 2001 \| 176 Pages \| ISBN: 074531578X \| PDF \| 1 MBThe contributors to Retrovisions consider what ...
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	History/Military American Science Fiction Film and Television Lincoln Geraghty, "American Science Fiction Film and Television"Berg Publishers \| 2009-12-08 \| ISBN: 1845207955 \| 192 pages \| PDF \| 3 MBAmerican Science Fiction Film and Television presents a critical history of late 20th Century SF tog ...

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