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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
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Globalization and Responsibility
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Linear Algebra: Theorems and Applications
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A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Chuck (short film)
Posted on 2010-08-07
|
A psychological thriller that takes place in the mid-60's, Chuck is a darkly comic tale of a door-to-door salesman and his mysterious obsession. You see, Chuck isn't really selling subscriptions, he's after something a bit more substantial. It is 1966; the setting is Baltimore, Maryland. Everything seems normal on the surface. The lawns are green, the roses are red, and the houses are white. Visually, "Chuck" has a warm nostalgic feel to it, but what makes it so unnerving is Turner's use of sound. The sound design is clearly influenced by the collaborations of David Lynch and Alan Splet on films like "Eraserhead" and "Blue Velvet": Turner enjoys playing with effects, experimenting with mood and texture. Horns beep, phones ring, and birds chirp in an abnormal pattern, suggesting some of the insanity going on in Chuck's mind. Well-structured, paced, and crafted, "Chuck" evokes memories of "The Twilight Zone" and "Alfred Hitchcock Presents" at their most morbid. The camera looks up at a man. He seems nervous. His face is sweaty. The latex gloves he wears are drenched in blood. The phone starts to ring, and it isn't even plugged in. Even so, he continues to have a long conversation. This is Chuck, as portrayed by Harris Mann. Chuck is a serial killer. His phone taunts him, it tells him what to do. He's young, pale, nerdy looking, and fairly neat, although his face is slightly unshaven. Chuck saves the internal organs of his victims, keeping them in little white cardboard boxes. He likes to kill suburban housewives. Chuck comes to the door, posing as a door-to-door salesman, trying to sell magazine subscriptions in order to support "linear communication". He will do anything to get into their house. Schizophrenic, obsessive-compulsive, uncomfortable at all times, Chuck is a real mess. Whether he's spazzing out on the ground or screaming into his phone, Harris Mann is always full of energy, his character ironically sympathetic. His performance is remarkable. The director, Alex Turner, and his cinematographer, Ed Stephenson, do a wonderful job of creating a tense, claustrophobic atmosphere. Low angle shots, extreme close-ups, and wide-angles help to enclose Chuck, as if he were trapped in the frame. It's quite an offbeat piece of the macabre. Runtime: 15 min Language: English Download: here, or here,
Rating:
2.5 out of 5 by Book123 |
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