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Lyrics & Music Chopin - Chopin chez Pleyel ~ Alain Planès [my repost]

Posted on 2010-09-20




Name:Lyrics & Music Chopin - Chopin chez Pleyel ~ Alain Planès [my repost]
ASIN/ISBN:B002X35MS2
File size:268 Mb
File Size: 1 Cd, 268 Mb
Other Info: Classical; Eac, Ape+cue, log; covers+booklet; 3 % Recovery
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Chopin - Chopin chez Pleyel (Paris,21 février 1842) ~ Alain Planès(piano Pleyel 1837 coll. Anthony Sidey)

22 octobre 2009 | Harmonia Mundi | Filesonic+Fileserve

& 8220;This album is a virtual journey into Chopin's musical world. On February 21, 1842, the Polish composer gave one of his very rare concerts. He did not enjoy appearing in public, for his music was above all an intimate art. On Chopin chez Pleyel, Alain Planes has recreated the program of this concert as closely as possible and recorded it on a Pleyal piano of 1836 that the composer might very well have played. The questions he throws up in the process are fascinating. How did Chopin play? Apart from his famous rubato, what was the role of ornamentation and indeed improvisation? this fascinating album offers very plausible and musically satifsying answers to some of those questions. Amazon

'Mais par-dessus tout, il faut souligner la superbe maîtrise du phrasé qui appuie une sensibilité poétique à un rare degré de perfection. Aucune mièvrerie, aucun sentimentalisme, ni aucune froideur désséchante ou virtuosité inutile. La respiration de la phrase est maintenue malgré les silences intercalés qui ne perdent rien de leur densité. C'est un tour de force qui mérite toute admiration.' 2009 Winner of the Diapason d'Or for his outstanding recording of Chopin's masterworks on a period Pleyel Piano! A journey into Chopin's world . . . On 21 February 1842, the Polish composer gave one of his very rare concerts: he did not enjoy appearing in public, for his music was above all a chamber art. Alain Planès has striven to recreate the programme of this concert as closely as possible, and recorded it on a Pleyel piano of 1836 that the composer might have played. The questions he throws up in the process are fascinating: how did Chopin play? Apart from his famous rubato, what was the role of ornamentation, and indeed improvisation? -- ArkivMusic

The period instrument revolution has less prominently influenced solo piano music than other areas of the repertoire, though this album finds Alain Planès using an 1836 Pleyel in order to attempt an approximate reconstruction of a recital given by Chopin at the manufacturer's own concert halls in Paris in 1842. "Approximate" is very much the left word here: contemporary reviews indicate that Chopin strayed from his announced programme and there are differences of opinion as to some of the recital's contents and running order: he also accompanied the famous contralto Pauline Viardot-Garcia in some songs, which are omitted here. The revelations stem from the admirable restraint of Planès's playing and from the fact that the sound of his Pleyel is at once darker, brittler and more percussive than a modern concert grand, which precludes not only the sentimentality that characterised many 20th-century Chopin performances but also the violent approach recently adopted by more radical interpreters. The Nocturnes, particularly the C Minor Op 40, No 1, combine elegance with profundity, while the selection from the Op 25 Etudes is exquisitely done.-- Tim Ashley,guardian.co.uk, Thursday 7 January 2010 23.09 GMT

& 8221;


1. Andante spianato op.22

2. Ballade op.47

3. Nocturne op.48 no.1

4. Nocturne op.48 no.2

5. Prélude op.28 no.13

6. Prélude op.28 no.11

7. Prélude op.28 no.4

8. Prélude op.28 no.9

9. Etude op.25 no.1

10. Etude op.25 no.2

11. Etude op.25 no.12

12. Nocturne op.9 no.2

13. Nocturne op.27 no.2

14. Prélude op.45

15. Prélude op.28 no.15

16. Mazurka KK IIb no.5

17. Mazurka op.41 no.2

18. Mazurka op.41 no.3

19. Impromptu op.51

20. "Grande Valse" op.42

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