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Saw Delight (1977) | mp3 | vbr 256 kbps | 47 m - is the ninth Can album, and features two new band members who were ex-members of the band Traffic, with Can's bassist Holger Czukay giving up the bass in favour of experimental effects.

Out Of Reach (1978) | mp3 | 192 kbps | 50 m - is the tenth Can album. This album has been disowned by the band and is neither available on their Spoon label or listed on their official website's discography, as the former Traffic members (Rosko Gee and Reebop Kwaku Baah) who worked on this album are considered to have had too great an influence to make it a genuine Can album, and on top of this, Can's original bassist and pivotal band member Holger Czukay has absolutely no involvement in this album whatsoever.

Prehistoric Future June 1968 very first session (1984) | mp3 | 160 kbps | 34 m - Bootleg / Unauthorized Originally released in an edition of 2000 mono cassettes in 1984 through their own (Paris, France located) Tago Mago (TM2115) imprint (which mainly put out 500 copy tape runs by Fondation, Satellite & Atom Cristal and Marten Ingle as part of something called the Camuflage Series as well as VO (2), a This Heat/Albert Marcouer split tape, Vídeo-Aventures and the Paris Tokio compilation (including two Merzbow contributions) between 1983 and 1985.

Inner Space (1985) | mp3 | 192 kbps | 53 m -Compilation. This is a reissue of the 1979 album self-titled CAN.

Rite Time (1989) | mp3 | 128 kbps | 38 m - is twelfth and last album, considered a reunion album because of the time elapsed between its released and the release of the band's previous, self titled album ten years earlier. It is also notable in that it features the vocals of the band's original singer, Malcolm Mooney.

Radio Waves (1997) | mp3 | 192 kbps | 96 m -Compilation - collection of 1969-1972 live and rare recordings.

Sacrilege (1997) | mp3 | 192 kbps | 100+40 m - Remix album, contains a remix of the hit "Spoon" by Sonic Youth.

Music (Live 1971-1977) (1999) | mp3 | 256 kbps | 80+80+53 m - This is a compilation of various audience recordings ranging from 1971 to 1977.

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CAN

Always at least three steps ahead of contemporary popular music, Can were the leading avant-garde rock group of the '70s. From their very beginning, their music didn't conform to any commonly held notions about rock & roll — not even those of the countercultures. Inspired more by 20th century classical music than Chuck Berry, their closest contemporaries were Frank Zappa or possibly the Velvet Underground. Yet their music was more serious and inaccessible than either of those artists. Instead of recording tight pop songs or satire, Can experimented with noise, synthesizers, nontraditional music, cut-and-paste techniques, and, most importantly, electronic music; each album marked a significant step forward from the previous album, investigating new territories that other rock bands weren't interested in exploring. During the '70s, they were extremely prolific, recording as many as three albums a year at the height of their career. Apart from a surprise U.K. Top 30 hit in 1978 — "I Want More" — they were never much more than a cult band; even critics had a hard time appreciating their music.

previous: Can - Tago Mago (1971)

Can - Ege Bamyasi (1972)

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