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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
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Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Posted on 2010-07-31
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More Dave McKean Best known for his work with Neil Gaiman, McKean is also an accomplished cartoonist in his own left. This is his magnum opus to date: an immense, pulsing graphic novel that's also a treatise on art, creativity and the uses and misuses of technique. Originally serialized between 1990 and 1996 (and collected in 1998), it's been out of print for several years. The book's plot is fairly rudimentary: a painter, a writer and a musician who live in the same apartment building find their lives intersecting. But the book's gradual shift from literalism to fanciful allegories and stories-within-stories mostly serves as the springboard for a visual tour de force. For most of the book, McKean restricts himself to wobbly, jagged two-tone pen-and-ink drawings, occasionally in the manner of Egon Schiele. But he often signals shifts in storytelling mode by switching media or style (to ink-wash brushwork, airbrushed photography, white-on-black "woodcuts," bold near-abstractions or whatever seems appropriate); when the artwork erupts into full-color paintings and collages, the effect is explosive. Even when the story falters or drifts into endless philosophical chitchat, McKean's artwork saves the day. His characters, built out of crazily bent lines and splatters, have perfectly choreographed body language, and his daring visual experiments serve the ideological goals of his writing. Hotfile SharingMatrix Links are interchangeable
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