Caccini - Il Giardino Di Giulio Caccini ~ Horvat, Pitarch (B0000CARGW)

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20 juillet 2004 | Alpha | Filesonic + Fileserve

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Giulio Caccini (1551-1618) is remembered primarily as one of the earliest songwriters and teachers of an elaborately expressive singing style that facilitated the development of opera. He was known to be able to sing in multiple registers, could perform on a variety of stringed instruments--and also was quite an accomplished gardener (which according to the notes provided him and his family necessary extra income during his final years). The program's title, Il Giardino di Giulio Caccini (The Garden of Giulio Caccini), in one sense slyly refers to Caccini's horticultural skill, though more pointedly recalls his legacy and influence on the works of his contemporaries.

Two songs about unrequited love, Guglielmo Miniscalchi's "Amor, che deggio far?" (Love, what should I do?) and Barbara Strozzi's "Da gl'abissi del mio core" (From the depths of my heart), are among the program's most exhilarating and passionate. Accompanying himself on Baroque guitar, vocal soloist Marco Horvat's performances are simply astounding. By often severely altering dynamics and augmenting his stunning tessitura with an occasional telling laugh, sigh, and groan, he fully evokes the torment of the emotionally conflicted.

Horvat's duet with soprano Olga Pitarch in Enrico Radesca di Foggia's "Si de los ojos nace" (If the eyes give rise), with its momentum shifts and rolling percussion during the refrains, is equally captivating. Arguably the most telling example of Caccini's influence is heard in "Chi mi confort'haim?" (Who will comfort me), where Horvat's elongated gestures are strikingly reminiscent of those that Monteverdi eventually perfected in his madrigal settings and operas. Alpha's sound is exceptional, with impressive detail and natural balances. -- John Greene, ClassicsToday.com

"Par la révolution douce qu’apporte ce chant auto-accompagné et intelligent, une autre musique se découvre à nous. Une voie, vaste et radieuse, est ouverte…"

Frank Langlois, Opéra International, décembre 2003

"Sincèrement, il est parfois fâcheux, pour le critique, de n’avoir que cinq étoiles à offrir aux interprètes de valeur. Dans le CD présenté par Alpha, la sixième étoile est Marco Horvat, qui renouvelle les fastes des anciens « chanteurs au luth » dont les chroniques du passé narrent les merveilles."

Gian Enrico Cortese, Musica, mars 2004

«Parcourant toute la palette des affects, de la plus profonde mélancolie à la jubilation amoureuse, cet album constitue un hommage peu commun à l’esprit de l’Italie prébaroque.»

Christelle Cazaux, Répertoire, décembre 2003

"Un programme enchanteur..."

E.J.H, Pizzicato, avril 2004

"Rares sont les enregistrements qui parviennent à transmettre le plaisir qu’ont éprouvé les interprètes à la réalisation d’un programme. En voici un !"

Anne Genette, La Cote de Médiathèques

"Sur le plan de l’interprétation, on notera immédiatement l’indéniable maîtrise technique de Marco Horvat. En un mot comme en cent, c’est un enregistrement de haut vol qui nous est offert ici."

Viet-Linh NGUYEN, Forum Opera, octobre 2003

"Accompagnées par lui-même au théorbe et à la guitare baroque, les interprétations du chanteur Marco Horvat sont tout simplement stupéfiantes."

John Greene, Classics Today.com

"Très peu de chanteurs contemporains ont maîtrisé la gamme complète de l’ornementation baroque que des compositeurs comme Caccini, Peri, d’India et Monteverdi demandaient à leurs interprètes. Son pouvoir dramatique est expressif est considérable."

Andrew O’Connor, International Record Review, avril 2004

"La star du spectacle est Marco Horvat qui – à la manière d’un Orphée tout à fait providentiel – s’accompagne lui-même dans les monodies et, ce faisant, évite les potentiels problèmes d’ensemble qui gâtent souvent ce répertoire notoirement connu pour sa difficulté."

Kate Bolton, BBC Music Magazine, février 2004

"Giulio Caccini, der Sohn eines römischen Zimmermanns, wurde im Jahr 1551 geboren..."

Franz Szabo, Journal de Alten Musik, décembre 2003

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1. Tu ch'ai le penne, Amore

2. Muove si dolce

3. Torna, deh, torna

4. Amor, che deggio far?

5. Si de los ojos nace

6. Funeste piagge

7. A quei sospiri ardenti

8. Pietà, di chi si more

9. Dalla porta d'oriente

10. Tutto'l dì piango

11. Donna, siam rei di morte

12. Mentre che fra doglie e pene

13. Vaga su spin'ascosa

14. Pasciti pur del core

15. Toccata prima

16. Parto, nel mio partir

17. Ard'il mio petto misero

18. Io mi distruggo & ardo

19. Chi mi confort'haime?

20. Da gl'abissi del mio core

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