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Lyrics & Music Bruce Springsteen - Magic (2007)

Posted on 2010-08-03




Name:Lyrics & Music Bruce Springsteen - Magic (2007)
ASIN/ISBN:0312533802
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Bruce Springsteen - Magic (2007)

Bruce Springsteen is back with the E Street Band — and a bit of “Magic.”The Rock and Roll Hall of Famer returns Oct. 2 with a new album, titled “Magic,” his first collaboration with his longtime New Jersey mates since the Sept. 11-inspired “The Rising” in 2002, Springsteen announced through his publicist. The album, other than its atmospheric title track, is billed as Springsteen’s return to rock ’n’ roll after his solo “Devils & Dust” and the folk-inspired “The Seeger Sessions.” Fans can expect Clarence Clemons’ familiar saxophone, Danny Federici’s soaring keyboards and Max Weinberg’s pounding drums — along with a lot of guitars.The 11-song album is Springsteen’s first of all-new material since April 2005, when he released the acoustic “Devils & Dust.” Springsteen’s 15th studio album follows last year’s “The Seeger Sessions,” where the Boss and a 17-piece backing band played reconjured versions of songs associated with folkie Pete Seeger. For this album, recorded with producer Brendan O’Brien in Atlanta, Springsteen reunited with the full E Street Band to recreate its Garden State wall of sound: guitarists Steve Van Zandt and Nils Lofgren, bassist Garry Tallent, drummer Weinberg, keyboardists Federici and Roy Bittan, sax man Clemons, violinist Soozie Tyrell and vocalist Patti Scialfa.AP

Tracks:

01. Radio Nowhere

02. You'll Be Comin' Down

03. Livin' in the Future

04. Your Own Worst Enemy

05. Gypsy Biker

06. Girls in Their Summer Clothes

07. I'll Work for Your Love

08. Magic

09. Last to Die

10. Long Walk Home

11. Devil's Arcade

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So, Magic.

Seated between a pair of outstanding speakers and handed a book with the lyrics, the Magic began.

Quick observations: this album rocks...these songs will KILL in a live concert setting...lots, LOTS of rocking guitars...I still don't know why it's called Magic...nary a ballad...Clarence Clemons rocks...I can't wait to find out how the actual recording of this album played out...any crap that Brendan O'Brien took for The Rising (undeserved in my book) will be long forgotten...these songs will sound great on the radio...Bruce Springsteen "songwriter" is a national treasure.

The production is big, without getting in the way. While The Rising demanded a certain atmosphere and Devils & Dust surely came from its own place, this album is an exclamation point in the Springsteen/O'Brien studio pairing. This is a confident sounding record, made by artists who trust each other and their art.

Radio Nowhere

Coming soon to a radio near you. Great lead off song. This could easily be the guy in "Open All Night" 25 years burning down the road. This song rocks, but the whole time, the guy in the song asks "is anybody alive out there?" like his life depends on it. Classic E Street with a monster solo from C.

And as the guy drives along he sings...

I just want to hear some rhythm

I just want to hear some rhythm

I just want to feel some rhythm

I just want to feel your rhythm

Awesome and terrifying at the same time.

You'll Be Comin' Down

Another song where C shines...spotlight on the Big Man. This is one about someone getting their comeuppance--a whole "what goes around comes around" thing. Karma!

Livin' In The Future

The most "pop" song on the album. Classic E Street--Big C again and a song that would fit anywhere from Born To Run to Born In The U.S.A.

Your Own Worst Enemy

I liked this one a lot. Reminded me of the vibe of both Darkness and The River, also not unlike None But The Brave. Great harmony vocals.

Gypsy Biker

A song about a gypsy biker who is coming home. Starts with a beautiful harmonica and acoustic and ends up a flat out rocker. Very powerful lyrics. Loved it and can't wait to hear it live.

Girls In Their Summer Clothes

Hmmmm...girls in their summer clothes don't like the hero in this song. My notes for this one said "lyrics very specific, very precise." While this was not one of my favorites, the lyrics are so well written that you feel like you're on the street as "the girls in their summer clothes pass me by."

I'll Work For Your Love

CatholicSchool...CatholicSchool...CatholicSchool. Bruce has used a lot of Catholic imagery as of late, and this song certainly has that. Beautiful piano intro, and another one that I really liked.

Magic

Interesting that this is the title cut. This one could have easily been on Devils & Dust. The word "magic" does not appear in the song. I need to hear it again, I guess. : )

Last To Die

Great songwriting here. Driving drums.

Long Walk Home

Probably the best song on the album. We know how great the lyrics are, this is played with passion and tempo by Bruce and the band. Wow. Max and Garry flat out kill this song, and there is an amazing guitar solo. This song will destroy concert halls all over the world. Amazing.

Devil's Arcade

The lyrics that are posted on the web are wrong. You'll be happy, because this song is great--again with lyrics that are simply amazing. Big guitars, big strings--I really liked this one a lot.

It's easy to toss around superlatives when discussing Bruce's work (and yeah, I'm biased), but this is a great, great album. I keep coming back to the preciseness and the specificness of the lyrics. These are streets that do have names. And the people who walk--drive--run those streets have purpose. And when the band plays...

Do you believe in Magic? I do.

Tom Cunningham

On October 2nd Bruce Springsteen will release Magic, his first album with the E Street Band since 2002’s The Rising. “We’ve been together since 1974 and I don’t think I’ve ever seen him more excited than he is left now about this record,” says Jon Landau, Springsteen’s manager.

The album was cut over two months at Southern Tracks studios in Atlanta with producer Brendan O’Brien, who previously worked with Springsteen on 2005’s Devils & Dust and The Rising.

The E Street Band mostly flew down on weekends to record, while Springsteen and O’Brien spent weekdays cutting vocals and recording overdubs. “This album is E Street Band heavy,” Landau says. “Clarence [Clemons] has some great moments on it. You could say that it’s a little more sonically guitar-driven than any past Bruce album. There are a few sort of pop, romantic touches that haven’t shown up recently, but were very prominent on the very early records.”

The lead single will be “Radio Nowhere,” a track Landau says “has a real anthemic quality to it. If it doesn’t get you out of your seat, I don’t know what will.” Landau is particularly excited about “The Long Walk Home,” which was performed live on one occasion on the Seeger Sessions tour late last year. “It’s sort of the summational song of the album,” Landau says. “I think it’s one of Bruce’s great masterpieces.” Another track, “Girls in Their Summer Clothes,” Landau says has a “little bit of a Pet Sounds-type feeling mixed in with the sound of the E Street Band.” The final track, “Devil’s Arcade,” is described as one of the only songs on the album that delves into politics. “He gets some images across that are very powerful and will certainly give you a feeling of where he’s coming from, but on balance [politics] is not the primary intention of this record.”

A world tour with the E Street Band is reportedly going to kick off in early October, but Landau remains tight-lipped on the details. “As we speak, the tour has not been fully decided,” he says. Springsteen is also planning to promote the album on television, including late-night talk shows.

“What do you think about us doing American Idol?” Landau asks. “Come on, I’m kidding!”

Rolling Stone

Late last year Bruce Springsteen invited producer Brendan O’Brien up to his New Jersey house to play him a batch of new songs he had been working on. “It was kind of surreal,” says O’Brien, who previously worked with Springsteen on 2002’s The Rising and 2005’s Devils and Dust. “We literally sat in his living room, he hands me a book of lyrics and he played me the songs on the guitar.” O’Brien then had the unenviable task of telling Bruce which songs worked, and which ones didn’t. “He gauges peoples reactions and I have to be as honest with him as I can,” O’Brien says. “Some of them had a certain voice that seemed to fit all together – and some didn’t have that same voice – so we decided which ones to pursue.” The songs that survived were taken down to Atlanta’s Southern Tracks Studios this March by O’Brien, Springsteen and the E Street Band. The resulting album, Magic, was recorded in eight weeks, and will be released on October 2nd.

The lead single will be “Radio Nowhere,” which O’Brien says changed very little from the version Springsteen played him at his house last year. “It’s a pretty straight-ahead rocker,” O’Brien says. “The most straightforward song I’ve heard him do in years.” “Long Walk Home,” which Springsteen debuted on tour last year with the Seeger Sessions Band, is an emotionally uplifting ballad that invokes 2002’s “My City In Ruins.” “That’s one of my favorite songs that he’s done in a long time,” says O’Brien. “It’s mournful, but also hopeful. It has very introspective verses and then he opens up lyrically as the song progresses. It hits me in a real great spot.” O’Brien describes the song “Living In The Future” as a “throwback to ‘Hungry Heart,’ an R&B thing.”

Recording with the E Street Band proved to be a logistical challenge, largely due to the fact that drummer Max Weinberg had to tape “Late Night With Conan O’Brien” during the week. Springsteen devoted weekdays to overdubbing and cutting vocal tracks, but each weekend a core group of E Streeters – Springsteen, Weinberg, bassist Gary Tallent and pianist Roy Bittan – would record the instrumental tracks. The other members of the E Street Band, including keyboard player Danny Federici and guitarists Steven Van Zandt and Nils Lofgren, were called in as needed to cut their parts. “It’s easier to manage the songs with less people,” O’Brien says. “Once we know what we’re doing, we brought the others in to do overdubs.”

But Springsteen insisted on being in the studio when Clarence Clemons cut his saxophone parts. “I appointed Bruce ‘senior vice president in charge of Clarence’s saxophone,’ ” O’Brien says. “There’s a whole dynamic there that spans decades. I don’t even get in the middle of it. I’m just a cheerleader.”

A world tour with the E Street Band will kick off left around the time Magic comes out, but no details have been released. “There’s songs that when we were recording them he would go, ‘I just know this song’s going to work great live,’ ” says O’Brien. “When it comes to being a bandleader and knowing what his audience wants, I think he’s one of the best ever.”

Rolling Stone

Acknowledgement:

I got these files from the excellent Zinhof Blog.
Rating:

2.5 out of 5 by

 
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