Lyrics & Music Boud Deun - The Stolen Bicycle (1998) (B002T1CULA)

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Boud Deun - The Stolen Bicycle (1998)

Genre: Jazz Fusion, Progressive Rock

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The Christopher Currie, alt.music.yes wrote:

Boud Deun hailed from northern Virginia, and played a style of music that was influenced by the progressive, punk and jazz-fusion traditions (real jazz-fusion, that is -- not the miserable lounge recordings which helped taint the 1980s), with some bluegrass thrown in as well. Their official web site (www.clark.net/pub/nicklin/bouddeun.html) lists King Crimson, the Mahavishnu Orchestra, Leo Kottke and Minor Threat as the band's primary influences. Others have also added the Dixie Dregs to this list, much to the band's consternation.

In their brief existence, the band recorded three studio albums: Fiction And Several Days (originally only available on cassette), Astronomy Made Easy and The Stolen Bicycle. While I don't have F&SD yet, I still feel fairly comfortable in asserting that the band operated at a high level of virtuosity -- usually loud, fast and complex, but capable of more poignant moments as well (this being mostly due to Greg Hiser, not surprisingly).

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Guitar Nine Records wrote:

Boud Deun's appeal crosses musical, age, and demographic boundaries, attracting fans from 14 to 60 years of age and drawing crowds to venues as diverse as heavy metal hangouts and jazz clubs. Their music "crosses so many musical boundaries that it almost transcends them," in the words of one critic. Although obvious parallels can be drawn between Boud Deun's work and instrumental greats like the Mahavishnu Orchestra, The Dixie Dregs, and King Crimson, there are additional influences from musicians as unexpected and far-ranging as Minor Threat, The Minutemen and Igor Stravinsky. The band members' diverse backgrounds in acoustic, jazz, punk, bluegrass, and classical music further fuel Boud Deun's innovative instrumental sound.. The Stolen Bicycle is Boud Deun's fourth CD. The playing is as sharp and superb as ever, while the compositions (which includes their 38 minute/16 part "Churches" - tracks 3 through 18) are ever-more notable and intriguing.

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John Davie, Prog Archives wrote:

It's a crime this album has so few reviews. Boud Deun existed from 1994-1998, and during that time they played live constantly. So when they got to this their final album they were as tight as Dean Martin on a Saturday night. There are so many passages here that are pure bliss. The soundscape is often thunderous with the mind numbing bass and drum work. While the guitarist and violinist are like lightning flashing across the sky as they light it up. I don't think there is any question that this band was one of the best in the USA during the later half of the nineties. After the first two tracks we get the "Churches" suite, a 16 song 38 minute adventure. A lot of these songs blend together. The cover art is cool with the cartoon picture of a boy on his bike smiling. There is actually a cartoon in the liner notes that's kind of cute. The music is anything but cute. "Waterford" really establishes what this band is all about left off the bat. Lots of tempo changes with violin throughout. The heaviness thunders in and out, and the guitar sounds incredible. Check out the drumming as well. "Ralis" is an uptempo song with violin and drums leading the way. The bass is killer! Some ripping guitar 2 minutes in. The rest of the way is the "Churches" suite beginning with "Belfast" which has such a full and solid sound. "Saints" has some quiet, eerie calm sections while the middle of the song is powerful with a louder and stronger sound. "Cotton's Sermon" has a fantastic sound! The guitar melodies are amazing! This song blends into the next one, while "Ten Pence" features some great drum and guitar work. The guitar is replaced by the violin. "Burnsville" is another highlight. Time changes abound. They can stop and start on a dime. Check out the bass after a minute. Blistering guitar 2 1/2 minutes in. "The Last Of A Thousand Days" features violin and guitar trading solos and they both sound great.Bass also takes a turn. This guy can play! The drums sound really good on "A Famous Rabbit". "Lantern Effect" is uptempo with some scorching violin and guitar melodies. "Train,Rain,Zero" has a heavy intro before settling down quickly. This is a tasteful, intricate track. "A Horseshoe Invasion/A Church In York" is one of my favourites. It speeds up and then slows down. Things get crazy 3 1/2 minutes in,you have to hear this. An amazing sound follows. "Broken Spokes" is a nice relaxing tune as they slow things down. The guitar and violin add some passion though. The song becomes more powerful after 4 minutes. Some impressive guitar lights it up late. "Two Worlds" is the longest song at almost 6 minutes. Light drums and mournful violin as some nice bass work follows. The song becomes more aggressive before relaxing again 3 1/2 minutes in. Some nice heavy drums 4 minutes in as the guitar grinds it out. Nice. This is the perfect marriage of top notch playing with some great compositions. They certainly went out with a bang.

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Tracklisting:

1. Waterford (4:00)

2. Rails (3:00)

Churches:

3. Belfast (2:07)

4. Saints (3:26)

5. Cotton's Sermon (1:53)

6. No River Deserves A King (1:09)

7. a) Ten Pence; b) Bridges (4:05)

8. A Terrible Accident (1:36)

9. a) Orlando; b) Jacks (3:01)

10. Burnsville (2:50)

11. The Last of a Southern Days (3:04)

12. A Famous Rabbit (2:43)

13. Lantern Effect (2:12)

14. Desperate Albert Sloop (1:43)

15. Train, Rain, Zero (2:14)

16. a) A Horseshoe Invasion; b) A Church In York (4:20)

17. Broken Spokes (5:45)

18. Two Words (5:52)

Total Time: 55:00

Line-Up:

- Rocky Cancelose / drums

- Shawn Persinger / guitar

- Greg Hiser / violin

- Matt Eiland / bass

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