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Bill Frisell - Before We Were Born (1989)

Genre: jazz guitar / MP3 160 kbps / 54 MB / 46:55

Bill Frisell has been one of the most unique jazz-based guitarists of the 1980s and '90s, a very eclectic player who can switch styles and sounds on a moment's notice, yet is always quite distinctive. On this atmospheric and picturesque set, Frisell uses his regular quartet of the time (cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron) on some selections, but also interacts with fellow guitarist Arto Lindsay, keyboardist Peter Scherer and, on "Some Song and Dance," baritonist Doug Wieselman and both Julius Hemphill and Billy Drewes on altos. A special highlight is the episodic "Hard Plains Drifter," which has this as a subtitle: "As I take my last breath and the noose grows tight, the incredible events of the past three days flash before my eyes." A very intriguing and colorful set of eccentric music.

AMG

I'd never made a record where people got the whole picture. So the idea was to use people from all the different areas I got into. (Taxi Magazine, May 1989)

Tracks:

1. Before We Were Born/Some Song And Dance

2. Freddy's Step

3. Love Motel

4. Pip, Squeak

5. Goodbye

6. Hard Plains Drifter or As I Take My Last Breath...

7. The Lone Ranger

8. Steady, Girl

Personnel:

Bill Frisell (electric and acoustic guitars, banjo),

Hank Roberts (cello), Kermit Driscoll (bass), Joey Baron (drums, percussion, electronics), Arto Lindsay (electric guitar and vocals - 3 cuts), Peter Scherer (keyboards and drum programming - 3 cuts), Julius Hemphill (alto saxophone - 4 cuts), Billy Drewes (alto saxophone - 4 Cuts), Doug Wieselman (baritone saxophone - 4 cuts), and Cyro Baptista (shaker - 1 cut).

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Guitarist Bill Frisell keeps shifting his supporting players on these 1988 recordings. The only track with just his working band of the period--Hank Roberts on cello, Kermit Driscoll on bass, and Joey Baron on drums--is the extended "Hard Plains Drifter," arranged by John Zorn. It's late-night spinning of the radio dial where most of the stations play country, but the tempos keep changing and the signals keep blurring, sometimes into avant-rock. The other major work is "Some Song and Dance," which adds three saxophones to the regular band for a four-part suite bracketed by the accelerated carnival of "Freddy's Step" and the spy movie intrigue of "Goodbye." In between, the slow and bluesy "Love Motel" makes effective use of altoist Julius Hemphill's funk-band roots, and Hemphill and Roberts find kaleidoscopic ways to stretch the jerky line of "Pip, Squeak." Frisell and Baron are joined by the team of Arto Lindsay on guitar and Peter Scherrer on keyboards for the eerie, shifting terrain of the title track and "The Lone Ranger," while Lindsay adds his transparent voice to "Steady, Girl," mixing Brazilian airiness with some edgy guitar notes. While the bands change, this is consistently Frisell, and he keeps finding new combinations and dimensions in his work. --Stuart Broomer

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Original News:

BF in Wikipedia

Rating:
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