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Lyrics & Music Bellini: Norma [2 CD] Richard Bonynge (1970)

Posted on 2010-08-03




Name:Lyrics & Music Bellini: Norma [2 CD] Richard Bonynge (1970)
ASIN/ISBN:B003YE0SRY
Publish Date:1990
Joan Sutherland, Marilyn Horne, Carl
File size:586 Mb
File Size: 586 MB
Other Info: EAC Rip; FLAC+CUE+LOG; Scans (no libretto); 73.10+74.13 min (2 CD)
   Lyrics & Music Bellini: Norma [2 CD] Richard Bonynge (1970)

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Bellini: Norma

Opera | Label: Foyer (2-CF 2025) | Recorded: 1970 (live) | Released: 1990

Joan Sutherland, Marilyn Horne, Carlo Bergonzi, Cesare Siepi; Richard Bonynge

& 8220;Miss Sutherland has always been stimulated to special efforts when Miss Horne is working with her, and those two women provide a team unique in the bel canto literature as practiced today. Miss Horne has many of Miss Sutherland's attributes, with several pluses and one minus. Her big, strong, securely produced voice does not have the sensuous sheen of Sutherland's. But she is a better musician, has better diction, sings with better rythm and clearer shape to the phrase, and has a wider compass. Miss Sutherland is not happy with low notes. Miss Horne, a mezzo-soprano, has the low notes together with the top of a dramatic soprano. She is a potential Brünnhilde. She comes to the Metropolitan Opera in her vocal primer, and she was in complete authority-even dramatic authority, though, like Miss Sutherland, she is an actress who uses old-fashioned gestures and movements. She made her entrance with a pianissimo that carried through the house, and as the opera progressed she was most careful to portray Adalgisa as a woman and not a singing machine. Her low notes for this occasion were more in relation to her scale than they had been at her concert with the New Jersey Symphony last month, and she saved the vocal fireworks for the appropriate moments. Miss Horne, too, inserted cadenzas here and there, but always with taste. When she and Miss Sutherland sang the duet, "Mira O Norma," it was the greatest example of its kind since the days of Ponselle and Telva. (...) As Pollione, Mr. Bergonzi, after a rather flurried opening aria, settled down to stylish singing. He sang his role as written, avoiding trills, embellishments or cadenzas, but what he did do was flexible, tonally beautiful and, as always, effortless. Harold C. Schonberg, New York Times, 5.III.1970.& 8221;


Dramatis personae

Norma: Joan Sutherland

Adalgisa: Marilyn Horne

Clotilde: Carlotta Ordassy

Pollione: Carlo Bergonzi

Flavio: Rod MacWerther

Oroveso: Cesare Siepi

New York Metropolitan Orchestra and Chorus

Chorus Master: Kurt Adler

Conductor: Richard Bonynge

New York, 4.IV.1970

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