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The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Bach, Buxtehude, Froberger, Reincken, Kerll - Die Quellen Des Jungen Bach ~ Céline Frisch
Posted on 2010-09-27
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More 08 janvier 2010 | Alpha | Filesonic + Fileserve Céline Frisch, a very fine performer in German harpsichord repertoire, brings us back to the time where the young Bach met his masters: Buxtehude, Kerll, Froberger and Reincken. She plays a German harpsichord by Anthony Sidey. Bach is a man of crossroads. Born in a musical family for generations, he also created many principles of the modern music. But this brook (Bach) also took its source in the contacts with the musicians of its time. Céline Frisch, a very fine performer of the German harpsichord repertoire, brings us back to the time where the young Bach met his masters: Buxtehude, Kerll, Froberger or Reincken. Bach est l'homme des carrefours. Issu d'une famille immergée dans la musique depuis des générations, il a aussi créé les fondations sur lesquelles repose toute la musique moderne. Mais ce ruisseau (Bach) prend également sa source dans la fréquentation des musiciens de son temps. C'est à la rencontre de ce tout jeune Bach, à l'écoute de ses maîtres, Buxtehude, Kerll, Froberger ou Reincken, que nous entraine Céline Frisch, fine interprète du répertoire germanique pour clavecin. 01 - Toccata en Sol Majeur * 02 - Toccata en Mi Mineur, BWV 914 * 03 - Suite en Do Majeur, BuxWV 226: I. Allemande 04 - Suite en Do Majeur, BuxWV 226: II. Courante 05 - Suite en Do Majeur, BuxWV 226: III. Sarabandes I & II 06 - Suite en Do Majeur, BuxWV 226: IV. Gigue 07 - Deuxième Toccata en Ré Mineur, Livre de 1649 08 - Deuxième Suite en Ré Mineur, Livre de 1649: I. Allemande 09 - Deuxième Suite en Ré Mineur, Livre de 1649: II. Courante 10 - Deuxième Suite en Ré Mineur, Livre de 1649: III. Sarabande 11 - Deuxième Suite en Ré Mineur, Livre de 1649: IV. Gigue 12 - Capriccio sopra la lontananza del fratello diletissimo, BWV 992: I. Arioso – Ist eine Schmeichelung der freunde, im denselben von seiner Reise abzuhalten 13 - Capriccio sopra la lontananza del fratello diletissimo, BWV 992: II. Ist eine Vorstellung unterschiedliecher Casuum, die ihm en der Fremde könnten vorfallen 14 - Capriccio sopra la lontananza del fratello diletissimo, BWV 992: III. Adagiosissimo – Ist ein allgemeines Lamento der Freunde 15 - Capriccio sopra la lontananza del fratello diletissimo, BWV 992: IV. Allhierkommen die Freunde (weil sie doch sehen, dass es anders nicht sein kann) und nehmen Abschied 16 - Capriccio sopra la lontananza del fratello diletissimo, BWV 992: V. Aria di Postiglione 17 - Capriccio sopra la lontananza del fratello diletissimo, BWV 992: VI. Fuga all'imitatione di Posta 18 - Suite en Fa Majeur: I. Allemande 19 - Suite en Fa Majeur: II. Courante 20 - Suite en Fa Majeur: III. Sarabande 21 - Suite en Fa Majeur: IV. Gigue 22 - Suite en Fa Majeur: V. Passacaglia 23 - Toccata en Sol Mineur, BWV 915 * | | | | Fileserve | | | |
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