AN 1998 TBOTD M rar (0812695968)

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(1998)

Progressive Rock | Label: Musea | Catalog Number: FGBG 4255.AR

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In 1997 I was lucky to witness a concert from Ars Nova during the annual Pul Festival in the Dutch city Uden. I was blown away by these three Japanese women: small size, GREAT SOUND! Especially bass player Kyoko Kanazawa took my attention because of that giant Rickenbacker bass guitar in those tiny hands. Her hotpants evoked yells like "backstage", progrock remains a man's world! Soon after the European tour from Ars Nova bass player Kyoko was replaced by Ken I[&*! ]a because Kyoko was no longer interested in making music with Ars Nova. On this first CD without her the band had chosen for a concept CD about the Egyptian history. Keyboard player Keiko Kumagai is very omnipresent, she delivers a wonderful and varied sound out of her digital equipment featuring flute, fagot, violins, flageolets and snare instruments like the Japanese koto. But in general Ars Nova their sound keep strong echoes from ELP, UK and Trace (Keiko loves this acclaimed Dutch band from keyboard wizard Rick van der Linden): many bombastic organ waves and sensational synthesizer runs on "Ankh" and "The judgement of Osiris" and beautiful, very sparkling piano work on "Field of Irau" (one of the highlights on this CD).

Their bombastic and pompous ELP-ish style is 100% present, as usual. There are lots of very short tracks on this effort (six out of eleven tracks! Clocking at six minutes in total). Even if this is a "concept" album about the gods and goddesses of ancient Egypt, such needs for transitional tracks was not really needed IMO. This is crafted music played by skilled musicians but inspiration is just not on the rendez-vous. This is highly technical for the sake of it ("The 42 Gods"). In this context, a song as "Held Of Jaru" must be considered as the highlight of this album. The first melodic and emotional piece so far during which Keiko Kumagai (Ars Nova's goddess) can fully express her talent. Maybe their best song ever. It is a nice invitation to a travel in time and combines bombastic and almost classical passages. The "Tarkus" spirit is revived at times during this album (but it is not the first time that "Ars Nova" is borrowing ideas from this great track. The problem with this album (and other ones from the band) is that it repeatedly reworks the same sounds. I admit that ELP fans (to which I do belong) might enjoy this but even if I was charmed during the first listening of Ars Nova work , I do not spin their album frequently. As background music it works fine because I like to be remembered those notes but not when I need to concentrate on it. I have this feeling during "The Judgement Of Osiris" (especially during the finale which is pretty boring). "Ani's Heart And Maat's" starts with a Far-East flavour. Almost as if you were attending a temple ceremony, but not in Egypt this time. Lots of different themes, which is good to avoid uniformity. The mix of some native Japanese music with these bombastic keyboards works fine. Another highlight thanks to a brilliant final part. Extremely passionate. This album is far from being essential and depending how desperate you are in being brought into the "ELP" world you will adore or abhor this release.

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Tracklist:

01.Prologue: Re (1:36)

02.Ankh (5:11)

03.Interlude 1: Nut [bonus track] (1:12)

04.The 42 gods (5:15)

05.Interlude 2: Anubis (0:40)

06.Field of Iaru (10:43)

07.Interlude 3: Sekhem [bonus track] (1:04)

08.The Judgement of Osiris (7:41)

09.Interlude 4: Nephthys [bonus track] (0:33)

10.Ani's Heart and Maat's Feather (9:20)

11.Epilogue: Hapi (1:01)

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