AN 2009 SH M rar (B002SKLDQA)

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(2009)

Progressive Rock | Label: Musea | Catalog Number: FGBG 4831

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"Seventh Hell" sounds like perfect example of hell to me. I forgot which style this is, but I suspect symphonic. And indeed, what else could it be. She sings in Japan language, so I don't understand, but I don't mind, because at least is pleasant language to hear, nothing strong, hard. And except first unpleasant seconds, I'm satisfied as much as possible. Because this track has a gift to enhance your imagination, if you already have it working. Just thinking about images connected with these sounds (Futurama's hell? something my own?). When it's symphonic, or supposed to be, I expect, well, symphony. Beautiful and complex melody, better if structured quite difficult, synth or real synths, singing not so important. From what I could saw, Japan Bands have a lot of synth prog bands. In this track, there are two parts. One is ascending part, where music is in fast pace and trying to reach the top of the mountain, then second parts, when it jump from the edge and enjoys free fall. What about similar fall to depths of hell ? 7:22-8:30 is long example of second one. It contains beautiful and absolutely incredible blend of transitions from guitar solo to synth one (so masterskilledly edited that you will not see any bump) and then to both. Keiko Kumagai is probably this gorgeous girl on cover. She's so pretty and not at all Japanese looking here + when you consider her keyboard skills, her giving a lot of band's ideas and this erotic style her own (Android Domina, various photos), you can't help but think that's a quite weird combination. Not bad, just strange. Babel Tower on her head, bird eating a man from Bosch's famous painting (one of two I have in my room, second one is Eden by him too, so every time I see something from it, connection between this artwork and this where I see it is stronger.

Bombastic, heavy, chaotic, loud! Seventh hell indeed! I was drawn to this japanese outfit when I read some reviews here on PA, since I had never heard of them before. It was said they were a kind of ELP copycat but if they ever did that I don´t know. What I can say is nowadays their music resembles anything BUT ELP. Liking it or not, they have their own sound that is a mix of speed of light type of guitars, shifting rhythm patterns and very complicated musical structures. Most keyboards parts are really interesting and creative, but the overall music is just too shapeless and too changeable for me to enjoy it more fully. It sounds mostly like an exercise of virtuosity than really music for the ears or soul. Don´t get me wrong. It is just my personal taste.Besides, there are some very nice and genuine unique sounds that could be a fine material for great songs if they were interested in writing ´straight´ songs, but it does not seem to be the case here. Their musical hability is beyond question, the musicians are all very skillful and the arrangements are quite demanding. So much I´ll have to hear at least some other of their works to give them a fair judgement. For now I can only recommend this album to the ones who love to hear an explicit display of great musical technique without much care for song structure or feeling. If you´re into that, jump left in!

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Tracklist:

01.Seventh Hell (11:38)

02.La Venus Endormie (5:41)

03.Cazadore De Astros (8:01)

04.Voice Of Wind (4:13)

05.Salvador Syndrome (17:06)

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