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Lyrics & Music Anton Bruckner - Symphony 7 in E Major (Nicolaus Harnoncourt) (1999)

Posted on 2010-08-03




Name:Lyrics & Music Anton Bruckner - Symphony 7 in E Major (Nicolaus Harnoncourt) (1999)
ASIN/ISBN:076926431X
File size:256 Mb
File Size: 256 MB
Other Info: EAC rip; Ape(image) - Cue - Log; Full scans + Covers + Booklet; 1 CD
   Lyrics & Music Anton Bruckner - Symphony 7 in E Major (Nicolaus Harnoncourt) (1999)

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Anton Bruckner - Symphony 7 in E Major (Nicolaus Harnoncourt) (1999)

Genre: Classical | Label: Teldec | RAR 5% Rec. | SM + Hotfile + Fileserve

& 8220;Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The former are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, complex polyphony, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.

Unlike other radicals, such as Richard Wagner or Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.

His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms, who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred.

Review: Sometimes interesting things happen when "intense" conductors are paired up with the mellow Vienna Philharmonic. The chemistry of this recorded meeting of the often extreme Nikolaus Harnoncourt with the VPO is amazing. To be sure, this is not your average broadly-paced wade through late Bruckner. Instead, Harnoncourt leads the orchestra through the 7th at lyrically flowing tempos which lets the music sing like in no other performance. That did not surprise me. What did surprise me was how emotional, how warm this performance gets. By restraining the usual luxurious string textures and bloated brass chorales, Harnoncourt has focused his (and the orchestra's) attention on the inner visions of this great score. Textures and gestures simply aren't that important when a performance speaks with such sincerity. This approach may not be for everyone, but for those prepared to see another point of view, it is treasurable. One of Harnoncourt's greatest recordings.
& 8221;


Tracklisting

1. Allegro moderato (19:10)

2. Adagio. Sehr feierlich und sehr langsam (20:48)

3. Scherzo. Sehr schnell - Trio. Etwas langsamer (8:53)

4. Finale. Bewegt, doch nicht schnell (11:09)

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