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Cultures & Languages Fiat Ducato. Модели с 2000 г., модели российской сборки с 2008 г.
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Cultures & Languages The Longevity Project: Surprising Discoveries for Health and Long Life from the Landmark Eight-Decade Study [Audiobook]
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Cultures & Languages География России. Природа. Население. 8 класс
Cultures & Languages Francisco Cândido Xavier - Nosso Lar : La vie dans le monde spirituel
Cultures & Languages Andre Agassi - Open
Cultures & Languages Francisco Candido Xavier - Action et Réaction
Cultures & Languages Il Sole 24 Ore - Speciale 2 - La riforma del lavoro
Cultures & Languages Tobias Hürter, Max Rauner - Les Univers parallèles
Cultures & Languages Alain Dupas - Demain nous vivrons tous dans l'espace
Cultures & Languages Stéphane Clerget - Les kilos émotionnels : Comment s'en libérer
Cultures & Languages The Longevity Project: Surprising Discoveries for Health and Long Life from the Landmark Eight-Decade Study [Audiobook]
Cultures & Languages Identity Economics: How Our Identities Shape Our Work, Wages, and Well-Being [Audiobook]
Cultures & Languages Carlo Rovelli - Et si le temps n'existait pas ?
Cultures & Languages Ervin Laszlo - Science et Champ Akashique - Tome 1
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Cultures & Languages AutoForum - May 2012
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Cultures & Languages Lipase and Phospholipase Protocols (Methods in Molecular Biology) by Mark Doolittle (Repost)
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Cultures & Languages Annemarie Schimmel: A Two-Colored Brocade: The Imagery of Persian Poetry
Posted on 2010-04-14
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More Annemarie Schimmel: A Two-Colored Brocade: The Imagery of Persian Poetry Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone—perfectly formed and multifaceted—and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal—a set of rhyming couplets—which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture. Download:
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