Schnittke Concerto Grosso 4 Symphony No 5 Pianissimo rar (B0000016F1)

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Alfred Schnittke - Concerto Grosso No. 4 / Symphony No. 5 (1988) - Pianissimo - Gothenburg Symphony Orchestra - Neeme Jarvi (conductor)

Publisher: BIS - records

As the title suggests, the first "transfiguration" of Schnittke's Concerto Grosso No. 4 / Symphony No. 5 (1988 ) is that of the work's own genre. What starts as Baroque-Classical pastiche, complete with violin, oboe, and harpsichord soloists, turns via labyrinthine folds into a full Romantic symphony. In doing this, Schnittke creates layers of parody: Schnittke's fake-Baroque is actually his fake-Stravinsky faking Baroque, and Schnittke's fake-Romantic is actually his fake-Mahler faking Romantic -- so what Schnittke "resurrects" may have never actually lived in the first place. The actual moment of transfiguration, the beginning of the Symphony "proper," doesn't begin until the work is half over. Only in the third of the piece's four movements, with the ghosts of Stravinsky and Mahler buried, does Schnittke's own musical mind take over.

Composed in 1967 - 1968, Schnittke's huge orchestral work Pianissimo takes its inspiration from one of Kafka's most unforgettable stories, In the Penal Colony. Schnittke's score is an experimental endeavor, clearly the work of someone who is "searching for his voice." But the sentiments at work -- a sublime vision, a black-hole pessimism, and an extremely elaborate mechanism with which to execute both -- are entirely Schnittke's own, and would continue to develop in his music for the remainder of his career.

Tracks

Concerto Grosso No. 4/Symphony No. 5

1. I. Allegro

2. II. Allegretto

3. III. Lento - Allegro

4. IV. Lento

5. Pianissimo

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