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The Aesthetics and Politics of the Crowd in American Literature by Mary Esteve (Repost)
Literature and Religion in Mid-Victorian England: From Dickens to Eliot [Repost]
Derek Walcott (Cambridge Studies in African and Caribbean Literature) by Edward Baugh (Repost)
Chinese Literature
Colonies, Cults and Evolution - Literature, Science and Culture in Nineteenth-Century Writing
Audiobooks, Literature, and Sound Studies
A Companion to Alexander Literature in the Middle Ages [Repost]
Traditional Japanese Literature: An Anthology, Beginnings to 1600
Colonies, Cults and Evolution: Literature, Science and Culture in Nineteenth-Century Writing (repost)
Postmodern Belief: American Literature and Religion since 1960
The Cambridge History of French Literature (Repost)
A Concise History of Chinese Literature
A Concise History of Chinese Literature
Badiou and Deleuze Read Literature
A Concise History of Chinese Literature
A Companion to Comparative Literature
Mindreadings: Literature and Psychiatry by Femi Oyebode (Repost)
The Lost Art of Walking: The History, Science, and Literature of Pedestrianism
Reforming the Humanities: Literature and Ethics from Dante through Modern Times
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Literature 中国古典诗词精品赏读--李清照
Posted on 2010-04-27
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中国古典诗词注重抒情、写景,善于表现友情、亲情、爱情、乡情,以及其他各种复杂细微的个人情感。这形成中国诗歌又一个强大的传统。在儒家思想影响下,中国诗歌几乎从一开始就具有“发乎情,止乎礼仪”的特点,情感的表达比较无制、内敛、含蓄,有别于西方的诗歌风格。与此同时,中国诗人们又强调“含不尽之意见于言外”,善于通过各种艺术手法传达言外之意,给读者以无穷的回味、想象空间。古代诗词中的优秀之作往往写得深情婉转,富于形象性和音乐性,诵读这些诗词,可以受到多层次的艺术感染和美的熏陶。古典诗词还善于表现自然之美及人与自然的融合,古人常说“诗中有画,画中有诗”。本书系中的每首作品,都配以当代画家根据诗词意境绘制的中国画。通过欣赏这些诗、画,可以更深刻地领悟到中国古代艺术作品中的诗情画意,品味其艺术之美。
目录: 李清照简介 如梦令(尘记溪亭日暮) 点绛唇(蹴罢秋千) 小重山(春到长门春草青) 如梦令(昨夜雨疏风骤) 蝶恋花(泪湿甸衣脂粉满) 凤凰台上忆吹箫(香冷金猊) 念奴娇(萧条庭院) 醉花阴(薄雾浓云愁永昼) 添字丑奴儿(暖雨晴风初破冻) 鹧鸪天(暗淡轻黄体性柔) 蝶恋花(永夜恹恹欢意少) 鹧鸪天(寒日萧萧上琐窗) 清平乐(年年雪里) 南歌子(天上星河转) 武陵春(风住尘香花已尽) 怨王孙(湖上风来波浩浩渺) 一剪梅(红籍香残玉簟秋) 行香子(草际鸣蛩) 点绛唇(寂寞深闺) 声声慢(寻寻觅觅) 临江仙(庭院深深深几许) 孤雁儿(藤床纸帐朝眠起) 菩萨蛮(风柔日薄春犹早) 渔家傲(天接云涛连晓雾) 永遇乐(落日熔金)
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