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Technical Piano Technique

Posted on 2010-09-02




Name:Technical Piano Technique
ASIN/ISBN:0486228673
Publish Date:1972
Pages:140 pages
File size:3.7 Mb
Publish Date: 1972
ISBN: 0486228673
Pages: 140 pages
File Size: 3,7 MB
Other Info: Dover Publications; Djvu
   Technical Piano Technique

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Walter Gieseking, Karl Leimer, "Piano Technique"

The volume presents two books by Walter Gieseking, foremost

pianist of his generation, and his teacher for five years, Karl Leimer,

that have long been sought after by students and teachers looking

for a radical approach toward developing not only finger-technique

but exion-technique. Ernphasis throughout is on listening to

one's self and proper understanding as the basis of proper technique

for the piano.

In book one, originally titled The Shortest Way to Pianistic Perfection, Gieseking and Leimer work with a series of piano works-

a study from Lebert and Stark, Bach's Two- and Three-Part Inven-

tions in C, and Beethoven's Sonata in F Minor, Op. 2, No.1. Before

beginning to play, the student is asked to visualize each piece

through silent reading. Through Leimer's instruction in this area

the student soon discovers how to approach each piece as not Inerely

a series of notes to memorize but as a coherent musical structure

to understand. Following are instructions on natural interpretation,

with consideration of touch, relaxation, training of the ear, elimina-

tion of all unnecessary moveUlents and proper emphasis in the

practice. Also given are notes on such topics as etudes, scales,

broken chords, the trill and tranquility.

In book two, Rhythmics, Dynarnics, Pedal and Other Problems of

Piano Playing, Leimer carries his method of visualization further

with a study of the Allemande from Bach's French Suite in E Major.

Following are further exercises and practices for developing other

pianistic techniques with reference to works of other con1posers.

Specific exercises which cover rhythmics, dynan1ics, and phrasing

are designed so that they will benefit not only the pianist but also

perforn1ers on other instruments. Extensive chapters on variety of

touch and the pedal give a great number of techniques and exer-

cises for extending the exive and dynamic range.

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