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Technical Piano Technique
Posted on 2010-09-02
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More Walter Gieseking, Karl Leimer, "Piano Technique" The volume presents two books by Walter Gieseking, foremost pianist of his generation, and his teacher for five years, Karl Leimer, that have long been sought after by students and teachers looking for a radical approach toward developing not only finger-technique but exion-technique. Ernphasis throughout is on listening to one's self and proper understanding as the basis of proper technique for the piano. In book one, originally titled The Shortest Way to Pianistic Perfection, Gieseking and Leimer work with a series of piano works- a study from Lebert and Stark, Bach's Two- and Three-Part Inven- tions in C, and Beethoven's Sonata in F Minor, Op. 2, No.1. Before beginning to play, the student is asked to visualize each piece through silent reading. Through Leimer's instruction in this area the student soon discovers how to approach each piece as not Inerely a series of notes to memorize but as a coherent musical structure to understand. Following are instructions on natural interpretation, with consideration of touch, relaxation, training of the ear, elimina- tion of all unnecessary moveUlents and proper emphasis in the practice. Also given are notes on such topics as etudes, scales, broken chords, the trill and tranquility. In book two, Rhythmics, Dynarnics, Pedal and Other Problems of Piano Playing, Leimer carries his method of visualization further with a study of the Allemande from Bach's French Suite in E Major. Following are further exercises and practices for developing other pianistic techniques with reference to works of other con1posers. Specific exercises which cover rhythmics, dynan1ics, and phrasing are designed so that they will benefit not only the pianist but also perforn1ers on other instruments. Extensive chapters on variety of touch and the pedal give a great number of techniques and exer- cises for extending the exive and dynamic range. Download
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