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Romances Falling Palace: A Romance of Naples
Romances The Spicer Web - The Romance of a Flying-Boat Flight in the First World War
Romances The Spicer Web: The Romance of a Flying-Boat Flight in the First World War
Romances Sex, Love, and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence [Repost]
Romances Screw the Roses, Send Me the Thorns - The Romance and Sexual Sorcery of Sadomasochism
Romances Fast Feng Shui for Singles: 108 Ways to Heal Your Home and Attract Romance (Repost)
Romances Narrative and Identity in the Ancient Greek Novel: Returning Romance
Romances The Annotated Flatland: A Romance of Many Dimensions
Romances The Making of Racial Sentiment: Slavery and the Birth of The Frontier Romance [Repost]
Romances My Romance - An Evening with Jim Brickman
Romances of the Republic: Women, the Family, and Violence in the Literature of the Early American Nation
Luis Miguel - Selections from Romance, Segundo Romance, and Romances
Romances Subject Inversion in Romance and the Theory of Universal Grammar
Romances The Noun Phrase in Romance and Germanic: Structure, variation, and change
Romances Euripides, Freud, and the Romance of Belonging
Romances Romance Linguistics: Theoretical Perspectives: Selected papers from the 27th Linguistic Symposium on Romance Languages
Romances Modernism and the Women's Popular Romance in Britain, 1885-1925
Romances Hold Me Closer Necromancer [Audiobook]
Romances Grammatical Categories: Variation in Romance Languages
Romances The Beginnings of Medieval Romance: Fact and Fiction, 1150-1220
Romances The Spicer Web - The Romance of a Flying-Boat Flight in the First World War
Romances The Spicer Web: The Romance of a Flying-Boat Flight in the First World War
Romances Sex, Love, and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence [Repost]
Romances Screw the Roses, Send Me the Thorns - The Romance and Sexual Sorcery of Sadomasochism
Romances Fast Feng Shui for Singles: 108 Ways to Heal Your Home and Attract Romance (Repost)
Romances Narrative and Identity in the Ancient Greek Novel: Returning Romance
Romances The Annotated Flatland: A Romance of Many Dimensions
Romances The Making of Racial Sentiment: Slavery and the Birth of The Frontier Romance [Repost]
Romances My Romance - An Evening with Jim Brickman
Romances of the Republic: Women, the Family, and Violence in the Literature of the Early American Nation
Luis Miguel - Selections from Romance, Segundo Romance, and Romances
Romances Subject Inversion in Romance and the Theory of Universal Grammar
Romances The Noun Phrase in Romance and Germanic: Structure, variation, and change
Romances Euripides, Freud, and the Romance of Belonging
Romances Romance Linguistics: Theoretical Perspectives: Selected papers from the 27th Linguistic Symposium on Romance Languages
Romances Modernism and the Women's Popular Romance in Britain, 1885-1925
Romances Hold Me Closer Necromancer [Audiobook]
Romances Grammatical Categories: Variation in Romance Languages
Romances The Beginnings of Medieval Romance: Fact and Fiction, 1150-1220
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Romances Magic and the Supernatural in Medieval English Romance (Studies in Medieval Romance)
Posted on 2011-08-28
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More Corinne Saunders, "Magic and the Supernatural in Medieval English Romance (Studies in Medieval Romance)" The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, the experience of the uncanny, and unexplained magical objects - rings, potions, amulets, and the famous green girdle in Sir Gawain and the Green Knight. This study (the first full-length treatment of the topic) looks at a wide range of medieval English texts - not just the romances themselves, but the writings of Chaucer, and Malory's Morte Darthur too - from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. Opening with a survey of classical and biblical precedents, and medieval attitudes to magic, subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. In particular, the author explores the distinction between `white magic' of healing and protection, and the more dangerous arts of `nigromancy', black magic. Also addressed is the wider supernatural, including the ways that ideas associated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic.The ambiguous figures of the enchantress and the shapeshifter are a special focus: the faery is contrasted to the Christian supernatural - miracles, ghosts and demons, and the motif of demonic conception.
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